Yes is a band that went through many lineup iterations. Although they found success in all variants, few Yes fans will dispute Anderson, Bruford, Wakeman, Howe and Squire as being the group’s most creative, most talented, most progressive lineup. 1971’s “Fragile“, the third album from Yes, was the debut from that combination of talent. It’s follow-up, “Close to the Edge”, was released in ’72 and carried on with the embodiment of rhythmic complexity and instrumental virtuosity.
I’ve read that unlike with its predecessor, there were a lot of creative conflicts going on during the recording sessions for “Close to the Edge”, which explains drummer Bill Bruford’s departure after its completion. This is an album that exasperates a multitude of conflicting ideas being brought together. At times, it feels as if it is going to fall apart in a heap of chaotic discords. But the multitude of ideas are somehow tied together with a cohesive beauty that make it one of the most significant records from the classic age of vinyl and one of the staples of progressive rock.
“Close to the Edge” is a landmark album in every sense of the word.