Eddie Jobson is an amazing musician. Case in point: his role in the British progressive rock band U.K. Not only could he play keyboards to a level that would make even Mozart smile, he was even more so a virtuoso on violin.
After their debut album, the prog rock supergroup lost its original drummer, Bill Bruford and lead guitarist extraordinaire Alan Holdsworth over creative differences. For their second album, “Danger Money”, U.K. replaced Bruford with the equally talented Terry Bozzio. The band decided to replace Holdsworth with…well, nobody. They instead placed more emphasis on Eddie Jobson’s keyboards and electric violin for the solos. Jobson was more than up to the challenge with their newer songs.
But what about playing the older songs live, on tour?
“Night After Night” answered that question in true evocation of Holdsworth’s talent. It’s on Alan Holdsworth’s solos where Eddie Jobson proves how amazing he is. He not only switches from keys to violin flawlessly but also adopts Holdsworth’s complex jazz infused solos perfectly to the violin without so much as flinching. If this was the album where you first heard U.K. you would swear the solos were written for electric violin.
Come to think of it, this is the album where I first heard U.K.
Well then, there you go.
Chilling and jamming to some jazz fusion courtesy of the violin musings from Jean-Luc Ponty’s true solo debut album.
Although he did come out with an album about five years prior, that album contained songs written primarily by Frank Zappa. “Upon The Wings Of Music” is a collection of songs that were also written by the French violinist.
Up to this point in his musical career, Jean-Luc Ponty was known primarily as a very in-demand session musician and was a former member of the Mahavishnu Orchestra, another very influential jazz fusion group (this is where I first discovered him). In an interview, Ponty said that he felt restricted not being able to perform his own music. Because of the recognition he had achieved while playing with others, Atlantic Records signed him almost immediately when he announced is solo intentions.
“Upon The Wings Of Music” was very successful on the Jazz charts and also had some crossover success, holding a place on Billboard’s Top 200 albums chart for several weeks.
I think “Larks Tongues In Aspic” is one of my favorite King Crimson albums because this, the fifth incarnation of the band, featured violin as one of the main instruments. It truly gave this album a distinctly unique character. Not that King Crimson’s music ever needed any help with being distinct or unique.
This was an album you had to be sure to take proper care of. It has many quiet passages, and if not treated properly the scratches could easily overwhelm the music. The album opens with one of those quiet passages, some soft percussion work by Bill Bruford and Jamie Muir, which leads into the an elegant violin intro played by David Cross, which is then torn out of existence by Robert Fripp’s frantic guitar work. This kind of slow then fast, quiet then loud roller coaster ride is a kind of theme throughout the entirety of “Larks Tongues In Aspic”. The glue holding all these diverse parts together is the solid bass playing by John wetton, who also does all the singing.
I suppose Larks tongue could be a difficult album for some to listen to, but it’s one well worth putting the effort into. Like a good brandy or a fine wine, “Larks Tongue In Aspic” is an acquired taste. It’s an album that intrigues your ears and mind. This is music that is intended to be interpreted, not merely listen to. Then again, that could be said of all King Crimson’s work.
I don’t know much about Stephane Grappelli, but I do know who Jean-Luc Ponty is, and if he looked up to Stephane Grappelli for his violin playing…well, that’s good enough for me.
Jean-Luc Ponty is a highly regarded classically trained violinist who found his calling to be not in classical music but in jazz. This I knew. What I didn’t know until reading the liner notes on this album was that Stephane Grappelli influenced Jean-Luc Ponty to throw himself into jazz music.
I knew early on in his career, Jean-Luc Ponty played and toured with Frank Zappa. What I didn’t know was that right after he finished touring with Zappa, he recorded this album with Stephane Grappelli, who was a jazz legend in Jean-Luc Ponty’s native France.
I knew I liked to go to garage sales to look for old vinyl records people were getting rid of for pennies on the dollar. What I didn’t know a couple of weeks ago when I stopped at that garage sale, was that I would end up finding an album that I had no idea existed, by an artist I revered, playing with an artist who he highly regarded. An album that will from that day forward remain one of the hidden treasures in my record collection.
An album that almost nobody knows.