It is truly amazing how much music the Beach Boys made in their first few years together. After their debut, they went on to release three albums a year for the next three years. “Endless Summer” is a compilation of The Beach Boys’ greatest hits from those first 10 albums from 1962 to 1965.
When “Endless Summer” came out in 1974 nobody expected it to do as well as it did. It was really just a case of the groups record label, Capitol, trying to cash in on some of the Beach Boys earlier songs following a drop in their popularity and Brian Wilson’s mental health issues. Even though the songs on “Endless Summer” were near or beyond a decade old, the album shot up to the number one spot on the Billboard charts and sparked a renewed interest in the Beach Boys’ music.
Overall, The Beach Boys have sold over 100 million records, making them one of the most commercially successful bands ever.
Unlike CDs, albums have two sides and must be flipped halfway through to listen to an entire album “Carney”, Leon Russell’s 1972 masterpiece takes full advantage of this. “Carney” really could be considered two half albums; one roots rock, the other psychedelic rock. Both of them showcasing Leon Russell at his best.
That’s not to say side two doesn’t still touch on the strong songwriting Russell was known for – Russell’s songs have been recorded by more than 200 other artists. The flip side even contains what is possibly his most recorded songs. “This Masquerade” has found its way on over 75 records by others, the best known version being George Benson’s breakout hit single in 1976.
Amazingly, Leon Russell never released “This Masquerade” as a single, at least not as the A-side of one. It wound up being the B-side to “Tightrope” which also kicks off side one of “Carney” and became Leon Russell’s first hit single.
Billy Joel was such a versatile artist, he never needed to change his style to keep having hit records. They were always universally appealing.
Like Billy Joel’s previous records, “The Bridge” was filled with a huge array of musical styles and influences. A few of those musical influences appear with Joel on this, his tenth studio album. Ray Charles adds his unmistakable bluesy piano and voice to the song “Baby Grand” and Steve Winwood’s Hammond B3 helps Joel cut loose on “Getting Closer”, the rocking closer on the album.
Surprisingly, neither of those two songs were hits off of “The Bridge”, although “Baby Grand” was released as the fourth single from it. I don’t think Billy Joel was too concerned about that song’s lackluster sales. “The Bridge” still gave the entertainer three top 20 hits with “Modern Woman”, “This Is the Time” and my personal favorite from the album, “A Matter of Trust”. That song will always have special meaning to me as I was getting over some trust issues I had at that time in my life. It was the reason I had to buy “The Bridge” when I first heard it.
If there was ever such a thing as Irish blues, Rory Gallagher would be the king.
Photo-Finish is Gallagher’s ninth album. A return to his more stripped down sound of a power trio, this album showcases just what an incredible guitarist Rory Gallagher was. The song writing is solid and Gallagher’s playing is top-notch throughout, every now and then feeding a little Irish flavor into his solos. There isn’t a throw away track anywhere on this album.
Album after album, Rory Gallagher always played his brand of a no-compromise blues rock. Although he may not have sold as many albums or be as widely known as some of his contemporaries like Eric Clapton and Jimmy Page, he was right up there with them when it came to song writing and six-string talent. As a matter of fact, both Clapton and Page have cited Rory Gallagher as an influence to their playing.
Glam rock and punk rock were two opposing forces in the 1970s. On their debut album, Roxy Music took it as a challenge to meld the two into a cohesive collection of songs, the likes of no one had heard before. The result was pure brilliance.
Oil and vinegar can not be mixed together homogeneously, yet they can be combined into something incredible. Roxy Music’s first album combines the slick oil of glam and art rock with the piss and vinegar of punk to make an incredible album that satisfies and stimulates the auditory to the same effect of a good olive oil and Balsamic vinegar to the palate. Great in itself, but also an excellent foundation to be built upon with things to come.
Being the most popular doesn’t necessarily make you the best. Being real and true to yourself does. The Tragically Hip were the best Canadian band ever.
The Tragically Hip never compromised their music for commercial success, yet found great success in the great white north. Making music that is real and true is what The Hip were always all about. From 1989 to 2016, The Tragically Hip were Canada’s rock and roll ambassadors to the world. Even though they gave their last performance in their hometown of Kingston, Ontario in 2016 – a televised performance viewed live by a third of all Canadians – they are still considered by many to be the band that best defines Canada today. Gord Downie, who was taken from us way too soon by brain cancer, was a lyricist who was quite possibly the most prolific Canadian poet ever.
“Trouble at the Henhouse” is one of my favorite albums by The Tragically Hip; my all-time favorite Canadian band. It is their 6th of 14 albums, all of which are in my vinyl collection.
The guitar hanging in the background was signed by all the members of The Hip. I asked Gord Downie to put some words of wisdom on it. He wrote:
“Play to live. Das Hips”.
If a rock band ever releases a self-titled album, it’s usually their first record. For Genesis, it was their 12th.
Genesis released their debut album in 1969. Their eponymous LP came out in 1983. Like most bands with that longevity, there were many personnel changes through the years. Many were so significant, most other bands would have just dissolved. But 14 years later, Genesis forged on as a three-piece band. An ensemble that consisted of all original founding members. That’s quite the exception in rock and roll.
With its combination of progressive excess and pop sensibility “Genesis” was a huge success for the band, hitting number one in the UK and earning them a Grammy award for Best Rock Performance in the US. Of the nine songs on the album, five were released as successful singles.
The standout song on this album to me will always be the opener “Mama”. It is a perfect combination of where Genesis had started, where they had been, and where they were in 1983.
Although its hard for me to say for sure, this may very well be my favorite Genesis album.
The title track to Carly Simon’s second album, “Anticipation”, was written about her longing for the arrival of Cat Stevens, whom Simon was dating in 1971. It’s a beautiful love song…but it also reminds me of ketchup.
About two years after the release of the single and album of the same name, Heinz chose to use “Anticipation” as the theme for a series of television commercials where it alluded to a longing for the arrival of their thick, slow-moving ketchup. Yeah, not quite as romantic as I’m sure Simon originally intended (at least I hope not) but the ads were so successful and aired so often throughout the 1970s that I bet most who grew up in that era still think more of ketchup than love when they hear Carly Simon sing “Anticipation”. But when you disconnect that memory and listen to the song as if Heinz ketchup never existed, it really is a beautiful testament to love and longing. The rest of the songs on the album were equally introspective musings about love and life. Beautiful songs that almost everyone can relate to; something common to all of Carly Simon’s songs. Fortunately, “Anticipation” is the only one that may be forever remembered as an ode to ketchup.
The Waitresses were best known for their quirky 1982 new wave hit “I Know What Boys Want”. Anyone who never checked them out beyond their one hit wonder status, has no idea what they are missing.
Quirky, sure. But The Waitresses were also about intelligent, multifaceted arrangements and musicianship that had every bit as much in common with the CBGB crowd in New York as it did with the virtuosic eclecticism of Frank Zappa.
The Waitresses released a couple of albums following “Wasn’t Tomorrow Wonderful?” Unfortunately neither contained the magic combination of what they accomplished on their debut. An album I rank as one of the top ten albums from the 1980’s.
I wonder if when Bob Dylan released his first greatest hits compilation in 1967 he ever imagined that four years later he would release a second collection, or that it would be a double LP.
Actually, if you consider actual hits, “Bob Dylan’s Greatest Hits Vol. II” could have easily been a single album, but I don’t think anyone complained. Interspersed with his well-known, often played on the radio songs, are an additional album’s worth of songs that were either deep cuts hand-picked by Dylan or previously unreleased songs. It made for a wonderful collection that combines both Dylan’s early, strictly acoustic folk music and his later more electrified rock songs, and all points between…and of course, his greatest hits.