Self indulgent and virtuosic, “The Six Wives of Henry VIII” is Rick Wakeman’s first solo record. As the title implies, the album is a collection of six songs, each representing the lives and characteristics of the 16th century’s King of England’s wives.
Wakeman wrote and arranged most of the music for this album while reading a book about Henry VIII while on tour with the bad Yes. Members of Yes are some of the backing musicians performing with Wakeman on this album. Members from Wakeman’s first band, The Strawbs, also make appearances.
Henry VIII is most remembered for the six wives he had during his reign and the annulment of his first marriage, to Catherine of Aragon. The Pope, refusing to recognize the annulment prompted the start of the English Reformation when Henry VIII created the Church of England, breaking away from the authority of the Roman Catholic Church.
Even without the meaning behind each of the songs, “The Six Wives of Henry VIII” is a joy to listen to just for Wakeman’s keyboard wizardry and the strength of his compositions that combine classical European with rock and roll. The underlying historic theme of the album just adds another layer to an already incredible solo record by Rick Wakeman.
When Rodger Hodgson had a fall out with Rick Davis and decided to leave Supertramp and release a solo album, he didn’t fool around. Almost as if he was out to prove who was the main creative Force in Supertramp, he wrote, arranged and produced every song on his debut solo album, “In the Eye of the Storm”. But he didn’t stop there. With only a handful of exceptions Rodger Hodgson please and since every vocal part on this album.
“In the Eye of the Storm” has a sound very reminiscent of Supertramp; progressive rock that is as powerful as it is insightful. It’s primarily keyboard oriented, but that’s not to say it doesn’t have some fine guitar work too. But really, the overall strength of this album lies in the composition and arrangement of the songs on it.
Although Roger Hodgson’s first solo record did have better success than Supertramp’s first album without him, neither he or his former band ever achieved the level of success apart, compared to what they accomplished together. Regardless, I still rank it up there with the best of anything he did with Supertramp.
Following the death of Led Zeppelin’s drummer John Bonham, there was some uncertainty about whether the band would continue on with someone different behind the kit. Eventually, the members of Led Zeppelin announced that they couldn’t continue on as they were, and the remaining three members went their separate ways. About a year and a half later, Robert Plant released his debut solo album,Pictures At Eleven.
Probably in keeping with what was felt fans wanted, the album has a very Zeppelin-esque feel to it, with Robbie Blunts guitar finding a tone very similar to that of Jimmy Page’s. But the album still had moments of Plant moving out of his comfort zone and into new musical territory. There was a heavier use of synthesizers on a couple of songs, and a notable difference in the feel of the rhythm section. Phil Collins, the drummer from Genesis, played drums on most of the tracks, delivering a looser R&B back beat than what was typically associated with Led Zeppelin. Cozy Powell, who played on only two songs, had a heavier style of drumming, more akin to John Bonham’s sound. Overall, the album delivered what Zeppelin fans wanted but still gave Plant a chance to forge something new.
In subsequent solo releases, plant would continue to diversify his sound. He also worked on a variety of other non-solo musical projects, including the Honeydrippers and a duet album with bluegrass musician and singer Alison Krauss.
Throughout his recording career Robert Plant has released over 35 albums, including his work with Led Zeppelin and other projects. He has a new album coming out this October.