Florence Welch has one of the most immediately identifiable voices in popular music today. She is also an incredible songwriter. With its somewhat stripped down production, Florence and the Machine’s latest album, “High as Hope” focuses on both to create what is one of the best new albums released in 2018.
The songs on “High as Hope” revolve thematically around the end of love. That thought is so ingrained throughout the lyrics of the songs here that “The End of Love” was originally considered for the title of the record. That subject may sound like the making of a somber, even downtrodden record, but it’s really not. As the album’s chosen title implies, the overall focus is the hope that comes after the hunger for love is washed away. Even though there is an aire of sadness here and there, the songs on “High as Hope” purvey an upbeat feeling of acceptance, comfort, and self reliance. This is all beautifully delivered with the perfect pairing of the music to the lyrics…and of course, the confidence exhumed by Florence Welch’s wonderfully powerful voice.
Heart has a knack for taking things other bands have done and doing them better. One case of this was their Greatest Hits/Live album which offered much more than any other greatest hits or live album ever did. But perhaps the most prime example is Heart’s 2016 album “Beautiful Broken”, a combination of three new songs along with revisited, reimagined versions of songs from earlier in the group’s musical history.
Classic rock bands releasing new versions of their older songs is certainly nothing new. Kiss, Styx, The Police, Journey and many others have succumb to the temptation. All too often, the new versions pale in comparison to the originals, at least to long time fans of the originals. There are memories that go with those familiar versions. There are solos that have been memorized note for note on air guitar and beats that can be tapped out effortlessly on dashboard drumkits. Why would you want to mess with those songs?
With “Beautiful Broken” Heart knew better than to touch the familiar tracks that their long-time fans loved. Instead, they reinvent obscure deep cuts from their back catalog; album tracks that were almost never played on the radio. Unless you owned the earlier Heart albums where these songs first appeared, you might not have ever heard the original renditions. The Wilson sisters even dig so deep here as to grab a bonus track that was only available on a Best Buy exclusive version of one of their later CDs, re-recording the song with guest vocals from Metallica frontman James Hetfield. As if to drive the point home of what they were trying to accomplish with this project, Heart chose to use that updated version of a former obscurity to be the title track for this album.
All of this, makes “Beautiful Broken” come across sounding like an album of totally new material. Some of the songs may have an aire of familiarity to Hearts long-time fans but it’s a familiarity that can be easily be reimagined and reinvented. Old memories are not infringed upon and there are plenty of new air guitar solos and dashboard drum beats to be learned.
Well done Heart.
The Pineapple Thief is a band I had heard and read a lot about before finally buying an album by them. I bought their 11th record mainly because Gavin Harrison, one of my favorite drummers, had been brought into their fold. I never realized why I liked Gavin Harrison’s drumming so much until I listened to The Pineapple Thief’s 12th album, “Dissolution”. I can not stop listening to this record. A good part of that reason I discovered, is Harrison’s influence.
It is rare for a drummer to be as intricately involved in the songs he plays on as Gavin Harrison is. There was such a shift from the “The Wilderness” to “Dissolution”, that I had to read through the liner notes to see what had changed. It was immediately obvious. Gavin Harrison co-wrote all but two songs with The Pineapple Thief’s founder, Bruce Soord. The shift was as noticeable as when Porcupine Tree founder Steven Wilson brought Harrison into their fold in 2002. Coincidence? I think not.
Although I am not yet familiar with The Pineapple Thief’s earlier work, I am willing to bet that adding Gavin Harrison to the line-up, is one of the best decisions Bruce Swoord has ever made.
Still, that doesn’t mean I’m not eager to check out their other earlier albums.
Back in the day, when a friend told you how good an album was, it didn’t mean you would necessarily like it. It just meant they did. Unless they could play it or the local radio stations would promote it, you still took your chances when you bought it. One man’s trash is a nother’s treasure. But today, there’s the Internet, where you can easily check out almost any new band. So when I bought “A Deeper Understanding”, the major label debut by The War on Drugs last year, I knew I was going to love it.
The songs on “A Deeper Understanding” are mostly mid-tempo with a low-key feel to them. They have an edginess to them, but never go over-the-top. Easy to listen and relax to but exciting at the same time. Thoughtful and introspective lyrics are perfectly matched to the music by The Adam Granduciel’s slightly breathy, somewhat raspy vocal style. This is an album that can be motivating or relaxing; it depends on how you want to listen to it at the time.
After listening to “A Deeper Understanding” the first couple times I couldn’t help but wonder why music like this isn’t more popular. It seems to rarely achieve main-stream recognition or success. Then, a couple of weeks after buying it, I leaned it was nominated for Best Rock Album at the 2017 Grammys. It won. A well deserved award and a great achievement for te first major label album by a band.
I’m look looking forward to The War On Drugs’ second one.