The title track to Carly Simon’s second album, “Anticipation”, was written about her longing for the arrival of Cat Stevens, whom Simon was dating in 1971. It’s a beautiful love song…but it also reminds me of ketchup.
About two years after the release of the single and album of the same name, Heinz chose to use “Anticipation” as the theme for a series of television commercials where it alluded to a longing for the arrival of their thick, slow-moving ketchup. Yeah, not quite as romantic as I’m sure Simon originally intended (at least I hope not) but the ads were so successful and aired so often throughout the 1970s that I bet most who grew up in that era still think more of ketchup than love when they hear Carly Simon sing “Anticipation”. But when you disconnect that memory and listen to the song as if Heinz ketchup never existed, it really is a beautiful testament to love and longing. The rest of the songs on the album were equally introspective musings about love and life. Beautiful songs that almost everyone can relate to; something common to all of Carly Simon’s songs. Fortunately, “Anticipation” is the only one that may be forever remembered as an ode to ketchup.
Jim Croce was one of the most prolific singer songwriters ever. “Photographs and Memories” is a greatest hits package that proves that point. Throughout his career his songs have evoked emotions and painted musical scenes like no other.
He sang mostly his own songs, but was known on occasion to interpret one by other songwriters. When he did, he alway made it his own. Along with the ones he did pen – songs like “Bad, Bad Leroy Brown”, “Operator”, “I’ll Have to Say I Love You in a Song”, and “Time in a Bottle” – I personally can’t imagine “I Got a Name” being performed by anyone except Croce.
Unfortunately, Jim Croce’s life and songs were cut short when he died in a plane crash while on tour in 1973. He was only 30 years old.
There’s a reason “Diamond Life” by Sade (pronounced shah-DAY) was one of the best-selling debut albums in the ’80s. It’s musical combination of jazz, soul, and pop made the songs infectious and irresistible. And then there’s Sade Adu’s sultry and seductive voice. This is the perfect album to start off the day or relax to at the end of it.
Born in Nigeria, Helen Folasade Adu eventually moved to England where her creativity and beautifully exotic looks landed her careers in both modeling and fashion design. But it was while singing background vocals for a local band, Pride, that she found music to be her true calling. Changing her performing name to Sade Adu, she convinced three members of Pride to form a band with her. My guess is it didn’t take much convincing.
“Diamond Life” went on to sell over 4 million copies worldwide and topped the charts in numerous European countries. It hit number 2 in the U.K. and number 5 in the U.S. In the following years, Sade released many more successful albums earning them 9 Grammy nominations, taking home four. Their most recent album, “Soldier of Love” was released in 2010. It hit number 4 in the U.K. and topped the U.S charts.
I guess I can hold a grudge sometimes. I don’t think I ever forgave Sonny and Cher for getting divorced and never bought a single solo record by Cher, even though I did like many of her songs.
I remember when I first heard that Sonny and Cher were divorcing in 1974. It was somewhat devastating to me. I had grown up with their songs from the time I was very small and regularly watched their TV variety in the early to mid ’70s. I remember that although they made fun of each other on the show, they seemed so in love – Just like my parents did. How could they have been that much in love and just let it fall apart. What if that happened to my parents?
Yeah, I took Sonny and Cher’s breakup kind of personal (and not because Sonny was born in Detroit) and for whatever reasons, I blamed it on Cher. I didn’t want to like the music from Cher’s solo career, even though I did. I think I subconsciously boycotted her records. I always hoped Sonny would have a successful solo career, but that never happened. True, Cher had the better voice, but Sonny had more talent, writing and arranging many of the duo’s hits (even at a young age, I paid attention to those things). He even continued to write hit songs for Cher’s solo career after their divorce.
Eventually, Sony Bono went into politics, becoming a California congressman until he died in a ski accident in the ’80s. At his funeral, Cher did a very emotional eulogy for him and later, made statements that showed she still had a deep devotional love for him, despite both of them remarrying. I guess I finally forgave her after that.
John Lennon was a dreamer. But he had a good dream.
“Imagine” has got to be one of the most beautiful and powerful songs ever written. It’s a song about being a dreamer. It’s about having a dream where there is no war, no hatred, no killing. It’s a dream of universal peace. It begs us all, if only for a moment, to imagine a. world like that.
It can be impossible to believe the world as we know it today could ever be without personal possessions, religion, or nations, as Lennon asks us to imagine in the title track of his second solo album. I think he knows as well as any intelligent person (and John Lennon was very intelligent) it’s an impossible dream for mankind to ever achieve. But it’s easy to imagine it. But as he reminds us here, although the world around us can seem uncaring and cruel at times; though there always seems to be some war going on somewhere; though the news seems to present us daily with a barrage of mankind’s cruelty toward his fellow kind, sometimes it’s good to imagine a different world; a world where no contention exists. Though that world may not ever exist for us, for 3 minutes, John Lennon asks us all to just dream it will one day, then imagine if we at least tried to live that dream.
I heard Adele refer to her second album, “21” as her break-up album and her third, “25” as her make-up album. As poetic as that may sound, I think of “25” more like her come-to-terms album.
While “21” has a definite theme of relationships falling apart and “25” focuses on the aftermath, not all the songs on Adele’s third album reflect on reconciliation; some center on the necessity of moving on without – even though there is still a yearning. The songs here are also about the acceptance of what is and what will never be. In modern music, there is no one who can tap into and convey this emotion better than Adele.
Paul McCartney may have released the most post-Beatles albums following the breakup of the fab four, but he didn’t record the best. George Harrison holds that esteemed honor with “All Things Must Pass”.
Released in 1970, “All Things Must Pass” is an incredible three record set that let Harrison spread his wings as an artist. The last three Beatles albums were a tumultuous time for the band. Through the ’60s, the names John, Paul, George, and Ringo were synonymous with The Beatles, By 1970 it would have been more accurate to refer to them as Lennon, McCartney, Harrison, and Ringo. Three individuals who felt strongly about what should be on the latter Beatles albums and one who just rolled with it. They all contributed songs, but not all made the cut. On the last three Beatles albums, some songs that Harrison felt strongly about were nixed for ones by Lennon and McCartney, getting the ax without much protest (he was after all, “the quiet one”). So when The Beatles dissolved in 1970 Harrison had solo material he was confident about and was ready to record. Writing a few more, he soon had enough for a second album.
Those two records were enough to establish “All Things Must Pass” as the best post-Beatles album, but Harrison added a third record.
Although it is labeled as side 5 and 6, the aptly titled “Apple Jam” stands apart, yet in cohesion with the other two disks. “Apple Jam” is a collection of long improvisational in-studio jams from the “All Things Must Pass” recording sessions. It feels more like a celebratory encore to the rest of the record than a continuation of the rest of the songs. On the first four sides of “All Things Must Pass” George Harrison was finally able to let his voice be heard; he was no longer “the quiet one”. Sides five and six sound like a celebration of that revelation and freedom.
The J. Geils Band is one of the most underrated bands in the US; except in Boston and Detroit. Boston is understandable. Geils after all, comes from that city. You always love your hometown hero. But Detroit was equally, if not more enthusiastic about The J. Geils Band’s combination of blues, rock, funk, soul, and pop from day one; and Geils loved them right back. They even at one point during an interview, referred to Detroit as their home away from home.
Geils was first and foremost, a live band. If you never saw them perform live, you have no idea what they were all about. Perhaps the album that came closest to capturing their live sound and energy in the studio was their tenth record, “Sanctuary”.
I can’t even pick a favorite song on this album. Every song is my favorite off of it. “Sanctuary” is one of those albums that, when I ignorantly thinned down my record collection, converting everything to compact disc, I never considered parting with. Yes, I eventually bought it on CD, but I was never not going to own this album.
To me personally, “Sanctuary” is memories from my ignorant teenage party days, the album I took refuge in during my early adult years when I felt down and betrayed, and the record I always pulled out when I just needed to f’ing crank it up and jam out.
Musically, it has been and will always be my “Sanctuary”.
Even though I had never heard anything by The Pineapple Thief, I had been wanting to pick up something by them for a while. I had read some good things about them and they were referenced a lot by other bands I liked. But the clincher that got me to pick up “Your Wilderness”, was Gavin Harrison jumping on board as their drummer.
Gavin Harrison is one of those rare drummers who plays the drums not to merely rhythmically hold songs together, but like my other favorite drummers, Harrison approaches the drums as another instrument that adds to the composition – not just underlying, but overlaying the architecture of the music. Although he is not as well-known, I hold Gavin Harrison in the same league as Bill Bruford of Yes and Neal Peart of Rush.
This album takes influences from numerous bands that are notoriously unique. If I had to pick three that most prominently shined through, it would be The Flaming Lips, Porcupine Tree, and early Radiohead. There are elements of many others, which should come as no surprise to anyone familiar with those bands since rec of them are masters at combining a diverse combination of musical influences into something totally original.
I love albums that focus around a central theme. Maybe that’s why I liked this album so much on the first listen. All of the songs seem to revolve around losing that one special love in your life and not realizing that it was your own shortcomings that tore things apart until it was too late. It’s a theme encapsulated in the lyrics in the opening track, “In Exile”: “Don’t be afraid to miss me / Don’t be afraid to hate me”. It’s also a sentiment that is sadly and romantically reminisced in “Where We Stood” the song that brings the whole emotional tug-of-war of this album to its inevitable open closure: “I don’t remember if we stood up there / I don’t remember if we stood”. This is a somber album and for the most part the music fits that mood. In all honesty, the playing is much more laid back than I expected, only breaking out a with some serious jamming on a couple rare occasions. But then, this is an album that is all about composition and song structure and making the listener feel this is a personal story. Their own personal story.
“Your Wilderness” is everything I had hoped for based on what I had heard about The Pineapple Thief. It is definitely a progressive rock album. But it is not one founded only on early prog. In a true progressive tradition, “Your Wilderness” is a musical collection built upon the influences of post-progressive rock bands that were influenced by the original prog rockers – an end result that is as inspiring and impressionable as the music that inpired and made an impression on it.
Fleetwood Mac’s 11th album, “Rumors”, is one of the best-selling albums of all time. It has sold over 40 million copies and is one of the only albums to give Pink Floyd’s “Dark Side of the Moon” a run for its money as the all time best-selling album ever.
The album was recorded in a tumultuous period Fleetwood Mac’s history. There were members of the band having relationships with other members – sometimes multiple members. This caused a lot of tension in the studio. But it was that tension between the band members that caused huge spark of creativity and resulted in an incredible work of art that stands the test of time. “Rumours” sounds as fresh today as it did back in 1977.
Not surprisingly, given the personal conflicts going on within the band, most of the lyrics “Rumors” are introspective poetry that speaks of love, relationships, and emotions.
This edition of “Rumors” is a limited edition, pressed on white vinyl. There is no reason albums need to be pressed on black vinyl other than that’s the way it was always done. The color of the vinyl doesn’t affect the sound quality so every now and then, limited runs of albums are pressed on colored vinyl. They usually cost a little more, but every now and then I have to splurge. After all, colored vinyl is cool.