The title track to Carly Simon’s second album, “Anticipation”, was written about her longing for the arrival of Cat Stevens, whom Simon was dating in 1971. It’s a beautiful love song…but it also reminds me of ketchup.
About two years after the release of the single and album of the same name, Heinz chose to use “Anticipation” as the theme for a series of television commercials where it alluded to a longing for the arrival of their thick, slow-moving ketchup. Yeah, not quite as romantic as I’m sure Simon originally intended (at least I hope not) but the ads were so successful and aired so often throughout the 1970s that I bet most who grew up in that era still think more of ketchup than love when they hear Carly Simon sing “Anticipation”. But when you disconnect that memory and listen to the song as if Heinz ketchup never existed, it really is a beautiful testament to love and longing. The rest of the songs on the album were equally introspective musings about love and life. Beautiful songs that almost everyone can relate to; something common to all of Carly Simon’s songs. Fortunately, “Anticipation” is the only one that may be forever remembered as an ode to ketchup.
Jim Croce was one of the most prolific singer songwriters ever. “Photographs and Memories” is a greatest hits package that proves that point. Throughout his career his songs have evoked emotions and painted musical scenes like no other.
He sang mostly his own songs, but was known on occasion to interpret one by other songwriters. When he did, he alway made it his own. Along with the ones he did pen – songs like “Bad, Bad Leroy Brown”, “Operator”, “I’ll Have to Say I Love You in a Song”, and “Time in a Bottle” – I personally can’t imagine “I Got a Name” being performed by anyone except Croce.
Unfortunately, Jim Croce’s life and songs were cut short when he died in a plane crash while on tour in 1973. He was only 30 years old.
Although Cornerstone, the ninth studio album by Styx, still held on somewhat to the band’s progressive rock beginnings, the shift to more pop oriented songs was obvious. The musical landscape was in the US was changing as the 1970s merged into a new decade and Styx’s music was changing with it. Styx seemed to almost declare the change with Borrowed Time, which kicks off side two with Dennis DeYoung declaring “Don’t look now, but here come the ’80s”.
Cornerstone gave Styx their first and only number one hit with Babe. Shortly after the power-pop ballad came out, it seemed you couldn’t turn the radio for an hour without hearing it. I have to say, I started to grow sick of the song after a while. Listening to it now, I can again appreciate the beauty and tenderness of the song, which Dennis DeYoung wrote for his wife.
“Boat on the River” has always been one of my favorite tracks on Cornerstone. Although it was an overlooked song in the United States, it remains Styx’s biggest hit in Europe.
Brisk Sunday mornings are meant for simpler, mellow sounds. No crunching guitars. No heavy blues. No complex, changing rhythms. No belting out of the lyrics. Just good quality, we’ll crafted songs performed with a great blend of style and emotion. There is no better singer/songwriter in that realm than Carole King.
Tapestry is her masterpiece.
But don’t take my word for it. In 1972, Tapestry grabbed four Grammys, including Best Album. With more than 25 million copies flying off store shelves, it is one of the best-selling albums of all time. And in 2003, Rolling Stone magazine named it as one of the 500 best albums of all time.
Not too shabby for your second album, Carole.