Steven Wilson is an amazing artist. I have had the pleasure of seeing him perform live three times. Twice in Detroit with his former band Porcupine Tree and once in Chicago as a solo artist. Listening to “Home Invasion: In Concert at the Royal Albert Hall” and looking through the 32 page book that accompanies the five albums in this box set makes me wish I would have made the trip to Chicago this past May to see him a fourth time. I won’t make that mistake the next time. Although hopefully, Detroit will be on his next US tour itinerary.
“Home Invasion” clocks in at almost three hours and captures Steven Wilson’s final of three performances at the Royal Albert Hall in England in 2018. The set spans the three most impressive phases of Steven Wilson’s illustrious musical career: Porcupine Tree, Blackfield, and of course his solo material. Steven Wilson’s music is in most often described as progressive or post-prog rock. In the middle of this set, Wilson unashamedly points out that some of some of his recent stuff is pop, and that if you can’t admit that you like pop music, your’re just trying to be a music snob. I have to agree. In reality though, Steven Wilson’s music so often spans across and incorporates so many genres that it stands alone in definition.
I have the day off of work today and decided that instead of sleeping in, I would get up at my regular time, do my normal routine, and after walking the dogs, head down to the man-cave with a cup of coffee and listen to “Home Invasion” in its entirety as the storms on the horizon roll in. I can’t think of a better way to spend a rainy Friday morning.
In a 2009 interview, Florence Welch cited Grace Slick of Jefferson Airplane as one of her musical heroes, specifically noting the song “White Rabbit” as having changed her life. I knew there was a good reason I love Florence + The Machine’s music so much.
Although decades separate the music both women created, I hear a lot of Grace Slick in Florence Welch. Sure, there are differences. Florence Welch isn’t one to copy; she is too much of a true artist. Still, the vocal stylings of Grace Slick are impossible to not notice in Florence’s voice. The same goes for the independent “f*ck you, we do what we want” attitude of both in regards to their music.
Grace Slick of Jefferson Airplane (and Jefferson Starship) has forever been one of my favorite female vocalists. Florence Welch of Florence + The Machine forever will be.
Even though they released only three albums, and I only own one of them, Game Theory is possibly my all-time favorite alternative band. “Lolita Nation” is definitely my favorite alternative album of all time.
With its impeccable combination of unpredictable chaos and controlled structure “Lolita Nation” is without a doubt an underground masterpiece. I know it must have been one of the guy store clerks working at Harmony House who recommended this album to me back in 1987. If it had been a girl, I would have married her.
“Lolita Nation” is an album that never tried for commercial success…and it never really got it. It didn’t deserve it. I hate to sound like an elitist, but commercial success would have ruined it. It remains the best kept secret of those who have heard to it. No…to those who have listened to it. This is an album you can’t just put on in the background. It should be listened to.
Trust me, if you haven’t yet, you need to listen to “Lolita Nation”.
I’m willing to bet you’ve never heard of this album.
That’s okay, neither did I until I saw it at a garage sale. I thought the cover artwork was cool and the record itself was in near mint condition. So I stole it.
Just kidding. I paid for it. But with what I got for the little I paid, it feels like I ripped it off from the guy. This is 1960’s psychedelic rock revisited and mixed with indie garage punk, recorded live at a smallish venue. I wish I had been there when it came down.
I have to admit, the spoken word “Intro Poem” had me worried at first, but it was really short. When the music kicked in about a minute or so later, I was like “WHOA! Iggy Pop and the Stooges meet The Grateful Dead!”
After some quick Internet digging, I found out Plan 9 was from the east coast of the US; Rhode Island, I believe. They released a few albums in the ’80s. I think this was their only live record.
It’s some pretty killer sh!t.
The best record I ever stole.