I think “Against the Wind” is my favorite album by Bob Seger and the Silver Bullet Band partly because I am such a huge Pink Floyd fan.
Not only do love Floyd’s music, but I think “The Wall” is one of the greatest rock masterpieces ever conceived. I’m a realist though, and as such knew some album at some point would have to unseat it from the number one spot on the US album charts. I couldn’t have been prouder back then to, after six weeks, see hometown heroes Bob Seger and the Silver Bullet Band do the unseating.
Expectations were high for Bob Seger and the Silver Bullet Band when they released their follow-up to “Night Moves”, their breakthrough album in the late seventies. Fuckin-A did they deliver! I don’t think I ever heard, before or after, a better collection of straight ahead good-times rockers and heartfelt ballads than Seger and his crew put out on “Against the Wind”. Then again, that is what they were always best at.
There was never any better, before or since, in my humble opinion.
“You gotta lose your mind in Detroit, Rock City”
“Destroyer” is hands down my favorite studio album by Kiss. Then again, growing up in metro Detroit, I guess my opinion is a bit biased.
One of the things I really dig “Destroyer” is the album version of “Detroit Rock City”. It includes an intro and ending which you almost never hear when the song is played on the radio. Together, they makes the song travel full circle in a kind of time warped story.
The intro starts out with the sounds of someone muddling about, getting ready to head out the door; a radio station can be heard in the background. It’s playing a news story about a fatal car and truck accident that happened on Grand Boulevard. Hopping into the car, revving the engine, and diving off, “Rock and Roll All Night” from Kiss’ earlier album is playing on the car’s stereo. You can faintly hear the driver singing along. He feels so alive. Then the actual song “Detroit Rock City” kicks in. The song tells the story of a rock star speeding off on the road to do a show. He never makes it, dying after losing control and driving head on into an oncoming truck. On the album, the song ends with the sound crashing metal and glass and it becomes obvious that earlier, this guy had been listening to a news story about the crash he was going to die in a few minutes later. All that is lost if you don’t listen to the album version of “Detroit Rock City”.
The rest of “Destroyer” typical Kiss: Hard rock and metal. Two exceptions are “Great Expectations” which includes some orchestration and choral arrangements and the power ballad “Beth”, the only Kiss song to feature strings and no guitars whatsoever; it sounds unlike anything Kiss did before or after. Ironically, that song became Kiss’ highest charting song ever and one of their best-selling singles.
If Barry Gordy Jr. had his way back in 1971, Marvin Gaye would have never recorded the album “What’s Going On”.
When the founder of Motown Records in Detroit first heard the title song Marvin Gaye had recorded for his next album, he was confident it would be a failure and refused to release it. Barry Gordy believed in the upbeat tempo and feel of the songs that had been the formula to Motown’s success. That was the record he wanted from Marvin Gaye. What Gaye delivered instead was a mid-tempo, multilayered song that made a sociopolitical statement against war, poverty, and brutality.
Barry Gordy felt “What’s Going On” would never sell and that it would be the ruin of Marvin Gaye’s career if it was ever released. Equal in his passion for the song, Marvin Gaye took a stand, refusing to write or record even one more note for Motown if the song wasn’t released. Barry still refused. It was his record company after all, and he had the final say.
But the song was released anyway.
Circumventing Barry Gordy, the VP of sales at Motown records decided to go behind his back and have the record pressed and released, sending some advance copies out to radio stations. It’s the kind of thing that will get you fired – unless you know you’re right. The song got heavy airplay across the country and when it came out “What’s Going On” became the fastest selling single in Motown’s history. Marvin Gaye was given the green light to make his album and make it his way.
“What’s Going On” didn’t ruin Marvin Gaye’s career, it defined it. It was his masterpiece. Like its title track, the album makes a strong statement. The soulful and beautifully layered songs lament against war, poverty, drug abuse, injustice, hate, and destruction of the environment. In contrast to the music, the lyrics to the songs don’t always paint a pretty picture, but they always make you think. This is an album that begs you to step back and take a look at the world around you; to take a good close look at “What’s Going On”.
It never ceases to amaze me how a band can be so immensely popular in one country and right across the national border…virtually nothing. Such was the fate of The Tragically Hip.
In Canada, The Hip sold out arenas, topped the Canadian record charts with nine of their 13 albums, won 16 Juno awards – the Canadian equivalent of an American Grammy, and were inducted into the Canadian Music Hall of Fame in 2005. Yet across the border, in the United States, most people have never heard of The Tragically Hip.
I don’t get it.
This is a band that in their 33 year musical career, released 13 albums and every one of them kicked ass. Not a dud in the lot. Not even close.
Canadian rockers got The Hip. Americans never really did. I remember seeing them live at the Palace of Auburn Hills in 1999. Over 20 thousand seats filled. I remember thinking “Wow! Maybe at least Detroit gets what The Hip were all about.
Then I noticed all the shirts and banners with red maple leafs on them. I bet over 15 thousand Canadians crossed the Detroit/Windsor border that day just to see The Tragically Hip play.
And for that day, I too was a Canadian rocker.
Well, at least for a couple of hours.
The Patti Smith Group may sound to some like an odd opening act for Bob Seger, but in early 1977 it kind of made sense, with her trying to without compromise, broaden her sound to a more mainstream audience. Unfortunately, Patti Smith broke her neck and nearly died during the second show of that tour. She fortunately recovered, but would have to wait until her next album, “Easter”, and for a little help from Bruce Springsteen to find that no-compromise crossover success.
It was January 26 when Patti Smith tripped over a stage monitor, plunging 15 feet onto a concrete floor in the orchestra pit at the front of the Tampa Florida stage. She cracked two vertebrae and had to get over 20 stitches to her head and face after the fall. The incident took her out of action for almost a year. I’m surprised it wasn’t longer.
After therapy following her neck surgery after the accident, Patti Smith and her group returned to the studio to record her third album “Easter”. Although the songs were a diverse mix between punk and mainstream rock, there was no potential that Smith’s record label felt were a breakthrough single. That is, until the album’s producer, Jimmy Iovine, turned Smith on to a song Bruce Springsteen had written but thrown away; a song that both Smith and her label found common ground on.
“Because the Night” became the no-compromise crossover that both Patti Smith and her record label were looking for. The song became the group’s biggest hit. “Easter” became The Patti Smith Group’s best-selling album.
By 1975, Bob Seger had put together a group of top-notch Detroit area musicians to back him up. The album “Beautiful Loser” was the first appearance of the Silver Bullet Band on a Bob Seger record, though they played on only one song.
The other songs were performed by the Muscle Shoals Rhythm Section, session musicians affiliated with the Alabama recording studio where Seger recorded all the songs on “Beautiful Loser”.
Even though The Silver Bullet Band appear only on “Nutbush City Limits”, a cover of an Ike and Tina Turner song, they became Seger’s touring band and backing band on his most successful albums, including “Live Bullet” and “Night Moves”.
Suzi Quatro’s music never got the recognition it deserved. That’s not to say she didn’t find success. I just think that through no fault of her own, she should have found a lot more.
Suzi found her biggest musical success in the UK and Europe which is kind of sad considering she grew up in Detroit.
Suzi started her rock and roll career in 1964. A career that seemed to go virtually nowhere until she moved to England in 1971. The success of her career from that point forward went on to inspire the careers of Pat Benatar, Joan Jett, Debbie Harry, Tina Weymouth (Talking Heads), and Ann and Nancy Wilson (Heart). “Suzi…And Other Four Letter Words” was Suzi Quatro’s second most successful album in the US.
Before “Suzi…And Other Four Letter Words” came out, most people in the US only knew Suzie Quatro as Leather Tuscadero, the character she played in 7 episodes of the TV sitcom “Happy Days”. I hate to admit that I’m one of them. But that doesn’t mean I couldn’t check out her back catalog afterward; more about that later.
I’ve seen The Rocky Horror Picture Show probably more than any other movie; no other movie even comes close. If there wasn’t anything else happening on a late Friday night when I was in high school, you’d find me in the balcony at the Punch and Judy Theater in Grosse Pointe armed with a squirt gun, newspaper, flashlight, rice, and probably a few other items, ready for action.
But my appreciation for The Rocky Horror Picture Show was also about the music. The songs were written by Richard O’Brien, who also plays Riff Raff, made it my favorite movie soundtrack at the time. It still is today, and not because of the nostalgia either. The music is great rock and roll which, like the movie, is filled with sexual tension and kitschy theatrics. The perfect movie and soundtrack for any high school teen.
Alice Cooper wanted to do something special with the cover of their fifth album, “School’s Out”, so to fit the theme of its title, it folded out into and opened like an old school desk…with a pair of schoolgirl’s panties wrapped around the album.
That’s what’s cool, outside of the sound itself, about vinyl. I mean, just try to do that with a CD. The tiny size just wouldn’t work.
But “School’s Out” isn’t an album that’s just about the packaging. It is considered by many, including your’s truly, to be the original Alice Cooper band’s best album.
The fold-out cover was only used on the original pressings of “School’s Out” and the panties were pulled after the very first issue of the album. It’s rumored that some of the executives at Warner Brothers records felt it was in poor taste.
The full package, with the panties included, is so rare that I had to steal this copy from the Hard Rock Cafe in Las Vegas.
Just kidding. But it is hard to find. And the Hard Rock, Las Vegas does have a copy on display there.
The first album I ever heard by what is still one of my favorite Detroit bands. This is one of those records I took a chance on, having never heard anything by Rhythm Corps. I don’t know if I had even heard of them at all before I saw “Esprit De Corps” on the record store shelf.
What drew me to this record was the cover artwork, which reminded me of an M. C. Escher drawing. With the pictures of bombs morphing into crosses, I loved the statement it made against all the wars that have been fought and lives that have been lost over religion. I had to buy it. Never regretted it; one of my all-time favorite records from the ’80s.