A hedonistic mix of alternative music and dance club beats, “Welcome to the Pleasuredome” is one of the most amazing and somewhat controversial debut albums from the ’80s.
Frankie Goes to Hollywood really held nothing back on this record, lyrically or musically. The double album had four successful singles, including the lyrically controversial “Relax” (which got banned by the BBC just before hitting #1 on the UK charts). Despite breaking the top 10 spot in numerous countries, “Welcome to the Pleasuredome” only peaked at a modest 33 in the US. It really didn’t get a lot of radio airplay here, but if you went out dancing, you couldn’t help but hear at least a few songs from FGTH in the bars and clubs. What I heard there, was enough for me to own it.
Frankie Goes To Hollywood’s debut album, “Welcome to the Pleasuredome” was a highly anticipated album in the United States but not nearly as much as it was in the UK, where it had over a million copies in pre-sale orders, making it the number one selling album there immediately upon its release.
In addition to the original songs, “Welcome to the Pleasuredome”
includes a few uniquely arranged covers, including Bruce Springsteen’s “Born to Run”, Edwin Star’s “War”, and Dionne Warwick’s “San Jose”.
The double album, which included four singles that had already topped the British charts and one that took the number three spot prior to its release, is about as brilliant a combination of synth pop, dance, and rock that you will hear anywhere. Many of the songs, including “Relax” and the title track, were considered controversial when they came out. The BBC banned “Relax” from being played on British radio and television for reasons of what it felt were sexually obscene lyrics. MTV banned the video for the song “Welcome to the Pleasuredome” for similar reasons.
The funny thing is, the bans actually helped the sales of the singles and subsequently, the album.
What would you say if I told you that in the ’80s, metal legend Ozzy Osbourne did the rap vocals to a synth-pop dance song?
Well, if you demanded proof, I’d just throw “Born to Laugh at Tornadoes” on the turntable. Then I’d have you listen to “Shake Your Head (Let’s Go To Bed)”.
Strange bedfellows for sure, but it works.
Was (Not Was) never really had an official singer on their first two albums, so their second album, “Born to Laugh at Tornadoes”, like their debut, is loaded with guest vocalists. Others who appear on this album include Detroit natives Doug Fieger (The Knack) and Mitch Ryder as well as Marshall Crenshaw and jazz legend Mel Tormé.
Even though “Born to Laugh at Tornadoes” received high accolades from Rolling Stone magazine, it failed to sell well outside of the Detroit area. Their follow-up album, “What’s Up Dog” would end up being their national breakthrough with the help of “Walk the Dinosaur” and a few other hit singles. By that time, founding members David Was (David Jay Weiss) and Don Was (Don Fagenson) had added a couple of official singers to the group’s lineup, so Ozzy was off the hook.