Queen is one of the most versatile and creative rock bands ever. Freddie Mercury has an incredible vocal range and knows how to use it. Brian May’s guitar extravagance in both tonal qualities and technical ability are unequaled. Roger Taylor has a unique drumming style that is immediately recognizable (for one, he loves to play the hi-hat just slightly behind the snare drum making it sound like one elongated beat) and John Deacon is absolutely solid on bass. In the late ’70s and early ’80s, they were a band that was never afraid to try anything new. Except for synthesizers.
Queen always seemed staunchly defiant to synths. Not to the point of ever talking negatively about them. But they did make a point on their first six albums to somewhere in the liner notes, point out that “no synths” were used on the albums.
Quite honestly, on those early Queen albums, synthesizers weren’t missed. It was actually quite amazing some of the sounds Brian May could wring out of a guitar, making tones and sonic fluctuations that many bands would need to use a synthesizer to even come close to. Then again the guy was a thesis away from a doctorate in astrophysics when Queen’s success took off, and did all his own guitar electronics, so it wasn’t that surprising that he could be pretty amazing. (He did finally write his thesis and receive his doctorate in 2007, and has since co-authored a book on the origins of the universe).
I don’t think any of my close friends would be surprised to know that I love reading liner notes on albums. I could say “the more the merrier” but that would be untrue. I don’t necessarily want to have the back cover or inner sleeve plastered in paragraphs of text, but it’s nice to have some interesting information about the songs or the band or the recording sessions – and lyrics are always nice. It’s all about the balance.
When I heard the opening to Queen’s seventh studio album, I knew – there was no doubt in my mind – I mean, Brian May could do some amazing things on guitar – but that was a synthesizer. And as I read the liner notes, there it was in black and white: “This album includes the first appearance of a Synthesizer (an Oberhein OBX) on a Queen album“.
There were no apologies or explanations given . Then again, none were really needed. Queen never denounced the use of synths. They just made it clear to those who paid close attention, that they didn’t use them. On “The Game”, they made it clear to that same crowd that on this album they were going to start.
The use of synthesizers didn’t ruin “The Game” – it made it a stronger album. Synthesizers allowed Queen to expand their sound beyond where they had gone before.
“The Game” went on to be one of Queen’s most successful albums, and one of my personal favorites by them. That’s in part, because they chose to use synths on it. “The Game” wouldn’t sound the same without them. Queen just had to know how to use them but not over do it. After all, it’s all about the balance.