Was (Not Was) – Born To Laugh At Tornadoes

What would you say if I told you that in the ’80s, metal legend Ozzy Osbourne did the rap vocals to a synth-pop dance song?

Well, if you demanded proof, I’d just throw “Born to Laugh at Tornadoes” on the turntable. Then I’d have you listen to “Shake Your Head (Let’s Go To Bed)”.

Strange bedfellows for sure, but it works.

Was (Not Was) never really had an official singer on their first two albums, so their second album, “Born to Laugh at Tornadoes”, like their debut, is loaded with guest vocalists. Others who appear on this album include Detroit natives Doug Fieger (The Knack) and Mitch Ryder as well as Marshall Crenshaw and jazz legend Mel Tormé.

Even though “Born to Laugh at Tornadoes” received high accolades from Rolling Stone magazine, it failed to sell well outside of the Detroit area. Their follow-up album, “What’s Up Dog” would end up being their national breakthrough with the help of “Walk the Dinosaur” and a few other hit singles. By that time, founding members David Was (David Jay Weiss) and Don Was (Don Fagenson) had added a couple of official singers to the group’s lineup, so Ozzy was off the hook.

Uriah Heep – Sweet Freedom

“Sweet Freedom” was a slight change of pace for Uriah Heep. Their first five albums were hard rocking adventures that along with bands like Deep Purple and Black Sabbath, marked the early days of heavy metal. This album is a more adventurous than its predecessors, with the band experimenting more with progressive rock elements but still keeping their hard-hitting, aggressive playing.

Two things that really made Uriah Heep stand out from other hard rocking acts in this era were their vocal arrangements, led by David Byron’s powerful voice, and Ken Kensley’s ever-present Hammond B3 organ.

The song “Stealin'” is Uriah Heep’s biggest hit. It was my introduction to their music. I’ve been a huge fan ever since.