Empires can be built in many different ways. Dedication and drive. Crime and Corruption. Narcissism. Greed.
They can also have many different consequences for the builder. Satisfaction. Loneliness and abandonment. A desire for more.
Those topics and more pretty much sum up the theme of Queensrÿche’s fourth album, aptly titled “Empire”.
Queensrÿche had paid their dues as a band throughout the eighties. After years of rejection from every record label they courted, the band finally signed a deal with EMI, and released their first album in 1984. “The Warning” earned them a moderate but solid fan base which stayed with them for their subsequent albums. Their third album, “Operation Mind Crime” should have been the album that broke them, but EMI did little in promotion and it never did as well as it had potential. When Queensrÿche released “Empire” as the follow-up, it absolutely exploded. There was no holding it back. It hit near the top of the charts in almost every country it was released in, including number 7 in the U.S. It sold over 3 million copies worldwide.
The song “Silent Lucidity” was nominated for two Grammy Awards – Best Rock Song and Best Rock Vocal. Unfortunately, it didn’t win either. I honestly forget what songs it was up against at the time, but I remember thinking at the time that “Silent Lucidity” was the hands down winner. It is one of the most beautifully and emotionally gripping rock songs ever performed. A masterpiece of a song on an album that is the same.