Synth pop was at the height of its popularity in the mid ’80s. It was a music style that could easily provide addictive hooks and innovative sounds, but it could also be ruined if an artist was overly dependent on the musical technology they used and less confident in their musical ability. Howard Jones knows how to find the perfect balance between composition, musicianship, and innovation. His second album “Dream Into Action” is a perfect example.
Howard Jones had a knack of knowing when to keep the arrangement of song sweet and simple or make it densely complex. That intuition helped him create a trend-setting album tha is complexly powerful and beautifully simple in all the right places.
“Dream Into Action” was the second album by Howard Jones. Other than some background vocals and a few bass lines Jones had his brother lay down, he plays and sings every note on this album.
Often overlooked and underrated by music critics, Howard Jones’ music often didn’t receive the radio airplay his contemporaries, but that never deterred him and he continues to write, record, and perform his music today.
“Dream Into Action” remains one of my favorite albums from the ’80s. It includes the hits “Things Can Only Get Better” and “No One is To Blame”. But like with many great albums, it’s the collection of songs that weren’t hits that truly define it. That’s where “Dream Into Action” is at its best.