Most people who know classic rock know of Emerson Lake and Palmer. Most people who know of Emerson Lake and Palmer, know the song “Karn Evil 9”, if not by name at least by its opening line “Welcome back my friends, to the show that never ends”. It is after all, their most often played song on the radio. But that song you hear on the radio is actually only a five minute excerpt from an epic song that is over thirty minutes long. It is the central piece of music on their fourth album “Brain Salad Surgery”.
ELP’ s music was always heavily influenced by Euoropean classical music. So it should come as no big surprise that the entire song “Karn Evil 9” is structured much like a classical composition, performed in 3 movements. The 1st movement is split into two sections. Part one takes up the second half of the first side of the “Brain Salad Surgery” and part two starts off side 2 of the album. The 2nd and 3rd movements of “Karn Evil 9” close out side 2. The part of the song that is most often played on the radio is actually “Karn Evil 9, 1st movement, part 2”.
The album “Brain Salad Surgery” is a masterpiece of creativity. The album starts out with a modern take of “Jerusalem”, a hymn commonly heavily ingrained in British culture and with the Church of England. It’s followed by an adaptation of “Toccata”, a rock adaptation of a piano concerto written by 20th century classical composer Alberto Ginastera, Carl Palmer adds a percussion movement to. It starts out on tympani drums and wraps up with a wild solo played on a synthesized drum set. “Benny the Bouncer” is a just for fun song featuring a Keith Emerson playing honky-tonk piano and Carl Palmer’s super-fast jazz style drumming using brushes instead of sticks – something almost unheard of by rock bands. “Still, You Turn Me On” is slow and beautiful piece and the final song before “Karn Evil 9” takes over the rest of the record.
If you think this all sound a bit self-indulgent and pretentious, well…It is. All three members of ELP were exceptional musicians and they aimed to flaunt it on their early albums. They were the epitome of self-indulgent, pretentios rock. I mean that in the best way possible.
Emerson Lake, and Palmer practically defined what becamee known as “progressive rock”. Keith Emerson was a classically trained pianist. He worked closely with Roger Moog, who creator of the Moog synthesizer. Emerson became a pioneer of the synthesizer, demonstrating its versatility and making a significant instrument in rock music. Carl Palmer, was far more than just a drummer. He is considered to be one of the best percussionist ever and could augment any style music. Greg Lake was a solid bassist who had one of the most distinct, immediately recognizable voices in modern music. Only musicians of their caliber could have pulled off album like this.