The future of Pink Floyd was uncertain in 1984. The band was going through turmoil and fans like me were guessing there may not ever be another album by them. That’s why I grabbed a copy of David Gilmour’s second solo album when it came out in 1984.
I had been somewhat disappointed by Pink Floyd’s album that came out the previous year. It’s not that “The Final Cut” was a bad album, it was just that it treaded no new territory, sounding like a continuation of the mostly Roger Waters epic “The Wall”. To me, Pink Floyd was always about doing something different new; going in a direction they hadn’t before. One album always sounded distinctly unique from its predecessor, yet still sounded like Pink Floyd. Enter “About Face”.
I’m not saying that “About Face” sounds like a Pink Floyd record; at least not totally. I remember reading that some of the musical ideas on it were presented as ideas for “The Final Cut” but were rejected by Roger Waters who made that album more of a solo project than the next Floyd album. His loss.
There are strong influences of where Gilmour had come from on “About Face”. His guitar had the same distinct tone heard on Pink Floyd albums, but there was more. Reggae influences on “Cruise”, funk/R&B on “Blue Light”, full orchestration on the instrumental “Let’s Get Metaphysical”, a couple straight ahead rockers – it was nothing like an album Pink Floyd would have ever done, which is why, to me, “About Face” sounded like what the next Pink Floyd album could have been. It wasn’t though. It was a David Gilmour solo record, which in the end, was just as good.