When The Clash released their third album, “London Calling”, Did they abandon their punk rock roots or open the genre up to greater possibilities?
Punk rock started as a response to the more experimental and extravagant styles that had become commonplace with rock music in the late ’70s. When The Clash and other punk bands arose on the scene, they rebelled with rock music that was raw and stripped down to its very basic core.
Unlike The Clash’s first two albums, “London Calling” was anything but stripped down and basic. The Clash took influences from ska, reggae, R&B, rockabilly, lounge jazz and Celtic music, to create what many consider to be their best album. It surely is one that few will dispute was as groundbreaking as it was influential.
But the question remains: With “London Calling”, did The Clash abandon or expand the definition of punk rock?
It’s been at least a couple of decades since I have listened to “London Calling” in its entirety. I had the album a long time ago but got rid of it, along with a lot of other albums I now regret parting with. My intent was to replace my vinyl copy with one on compact disc. The problem was, that never happened. So, this year I asked Santa for it for Christmas, and guess what? Santa came through!
I don’t know what my answer would have been when I first listened to “London Calling” all those years ago. But listening to in its entirety now, for the first time in decades, the answer is perfectly clear and obvious to me.
With “London Calling” did The Clash abandon their punk rock roots or did they expand on the genre?
The answer is “yes.”