Led Zeppelin focused more on their acoustic side for their third album. More diverse than its predecessors, it even featured a banjo on one song (Gallows Pole). But that’s not to say that the album didn’t have its moments of bombast that Zeppelin was known for. Many critics panned the album, probably because they were expecting something heavier. That didn’t stop it from topping the billboard charts and going double platinum in sales.
It’s funny how easily you can have misconceptions.
An old friend of mine went to see Styx in concert yesterday. From the post on Facebook, a friend of hers and I got into a debate about Dennis DeYoung, their singer, keyboardist, and one of their songwriters in the ’70s and ’80s, and his replacement, Lawrence Gowan. In that discussion, I made a comment in which I give them kudos for knowing that their new album wasn’t going to sell because their style of music just wasn’t popular anymore, and wasn’t what sold today, yet still releasing it anyway.
She posted that at the concert, Tommy Shaw (vocals and guitar) said their newest album was currently at number 6 on the Billboard charts. I had to check this out, and yes, that is the truth.
#6 Top Rock Albums
#11 Physical Albums
#11 Vinyl Albums
#13 Current Albums
#14 Billboard Top Albums
#29 Digital Albums
#45 Billboard 200 (includes catalog and streaming)
My faith has been restored in popular music.
As for the debate over Lawrence Gowan or Dennis DeYoung … Having seen Styx in concert a few years back as well as hearing their last two studio albums, I feel Gowan is just as accomplished on keyboards as DeYoung was. Plus, as a singer, he has all the vocal range that Dennis DeYoung had but can also have much more power in his voice when he wants. Lawrence Gowan can sing every part Dennis DeYoung could, but not so the other way around; and “The Mission” proved that Gowan is also an equal or better songwriter. I think Styx is a better more versatile band with him and the success of “The Mission” proves it.
My wife and I were on our Honeymoon in Toronto, staying at the Delta Cheslea Hotel downtown. The clock radio was playing a local station as we were getting ready to head out and experience Canada’s biggest city on our first morning there. Through the tiny speaker next to the bed, a guitar riff grabbed my ear, and I stood motionless, listening to one of the best new songs I had heard in a long time. It was a straight forward R&B tinged rocker, and it kicked! The DJ said it was “Three Pistols,” off “Road Apples,” the new album by local heroes, The Tragically Hip. I made a mental note to check them out further when my new bride and I got back to the U.S.
When the radio station went into a commercial break, I decided to go out on the balcony and take a look out onto Young Street. As I gazed across the road, glaring back at me was a huge record above an even bigger record store – “Sam The Record Man.” I told my wife of only a couple of days then (over 25 years now) that I was going there to get that album by that band before we went back home. She just shook her head, knowing full well that I would. And, on our last day in Toronto, before heading to the train station, that’s what I did.
And that’s how I discovered The Tragically Hip.
The distinct and powerful voice of Florence Welch helped propel Florence And The Machine’s 2009 debut, Lungs, to number 2 on the UK album charts. But it’s that voice combined with complex musical arrangements that make this album really grab your ear. Not to mention, it is one of the best stereo mixes I have heard in recent years.
Some of the songs have sharp contrasts between the music and lyrics, drawing the listener in with upbeat chords and melodies and then slamming them in the face with lyrics about darker topics, like domestic violence.
The Rolling Stones released Sticky Fingers in 1971. It was their first album on their own Rolling Stones record label. The album cover was designed by pop artist Andy Warhol and featured a real working zipper.
The album garnered multiple hits for the band and is considered by many to be their best album.
Some bands aren’t really bands at all, but really just one person with amazing talent. The The was really just Matt Johnson…until “they” became so popular that a proper touring band had to be put together in the late ’80s.
I have to admit, I did not like this record the first time I listened to it. The next time I gave it a chance, months later, I was like “WTF was I NOT hearing???”
One of my all time favorite albums now.
Lesson learned: NEVER write off an album after just one listen.
In the 80s, The Cure established themselves as a mainstay, and one of the most popular groups in alternative rock. The double LP, “Kiss Me, Kiss Me, Kiss Me,” was panned by many critics, but that didn’t stop it from becoming one of the Cure’s most successful albums.
According to Robert Smith, the album almost failed to happen as there was a fire in the building where he had all the as yet unrecorded lyrics written down. He actually went into the burning building to retrieve the them so they would not be lost forever.
You would think that in today’s “connected” world it would be impossible for someone to disappear without a trace, without anyone noticing for years. That’s what happened with Joyce Carol Vincent, who died of natural causes, in her London apartment, in 2003. She wasn’t discovered until 2006.
Her story became the inspiration for the songs on Steven Wilson’s 2015 Grammy nominated album, “Hand.Cannot.Erase.”
Beautifully powerful, yet in the same realm, hauntingly sad.
A modern masterpiece.