“The Pink Opaque” is a compilation album released in 1986 that was meant to introduce the music of the Cocteau Twins, a Scottish band that had released three LPs and five EPs in the UK since 1982, to American audiences. Despite having never released an album in America, the band had gained a cult following from airplay on college and alternative radio stations. The album consisted of material culled from all of their previous releases.
With swirling, effect laden guitars, a drifting, occasionally heavy bass minimalistic drums, and Elizabeth Fraser’s distinct dipping and soaring soprano voice, the band had a dreamscape quality to their music. But there was also a heavy goth influence, reminiscent of Siouxsie and the Banshees and the Cure. This is music that swirls around inside your head. Although not technically complicated, it’s music that’s intriguing and thought-provoking. It’s all about how the pieces all fit together.
I first discovered Cocteau Twins after picking up another somewhat obscure album by a band called Felt. That album, “Gold Mine Trash”, was recommended to me by the clerk of a local record store, who had come to know me fairly well. Elizabeth Fraser sang backing vocals a song called “Primitive Painters”. Her voice immediately grabbed me.
“The Pink Opaque” has special meaning to me as it was an album I purchased while going through a difficult time in my life. I could relate to the dark, somber mood of the music, yet at the same time found it oddly uplifting. It was an album that, with its layers of sound swirling in my head, helped me disconnect from what was bothering me, allowing me to reconnect with what I appreciated in life. Consequently, “The Pink Opaque” is one of my go-to albums when I’m feeling down or need to deeply ponder some subject. But sometimes, like now, I listen to it just because it’s a really good record.