I don’t know if I would call Pink Floyd’s “The Dark Side of the Moon” my favorite album of all time but it definitely ranks up there.
In my music collection, I definitely have more copies of “Dark Side of the Moon” than any other recording. In addition to the at least six digital versions, including a Mobile Fidelity Sound Lab 24 karat gold master CD recording, a 5.1 surround sound DVD mix, a remastered anniversary edition and copies included in compilation box sets, I also have three different versions of DSotM on vinyl records. The vinyl version that is probably most desired by collectors is the MFSL Original Master Recording. I also have a recently released 180 gram remastered vinyl copy. But of all the copies of “Dark Side of the Moon” I have. this is my favorite and most highly valued. This is the very first copy of DSotM I ever owned. The cover may have a little wear, (I later learned to use plastic outer sleeves to prevent this) but the record itself is pristine; complete with all the extras it originally came with.
“The Dark Side of the Moon” single-handedly changed my perception of what music is. Emotion. Expression. Innovation. Technical ability. Creativity. Originality. Dark Side of the Moon has it all. When I first heard it at the tender age of ten years old, it forever changed my perception of what music could be. It made me listen more intensely and analyze more deeply, the meaning in lyrics and the production behind the songs. It may sound cliché, but this album changed my life. It made music important to me.
I babied this album from the day I bought it because I knew from day one, this was a recording I would always own, although I didn’t know then that one day I would have several different version of it. Maybe its just because of nostalgia, but I think I get the most pleasure cuing up this copy.
Now that I listening to it and think about it, Pink Floyd’s “The Dark Side of the Moon” is my favorite album of all time…and this is my favorite copy of it.
Replace a couple of key members from Jefferson Airplane and get a new lead singer with a smooth, almost crooning voice, and what do you get?
The third album by Jefferson Starship, “Spitfire” continued in the style of the two previous records by the band. Almost abandoned were the heavy psychedelic sounds and influences of Bohemianism from the Airplane days. They were replaced by a more rock, pop, and jazz oriented sound augmented with synthesizers and often fronted by the sultry vocal stylings of Marty Balin.
But “Spitfire” still had elements the were reminiscent of the earlier Jefferson Airplane. The most prominent being Grace Slick’s powerful voice and the wandering guitar solos of Craig Chaquico who manged to keep just a touch of psychedelia in his playing. It was a sound that proved successful for Jefferson Starship. Like “Red Octopus” the album before it, “Spitfire” sold over a million copies, giving the band yet another platinum record.
Today, the Fillmore is a pretty popular concert venue in Detroit. Maybe that name is used in other cities now days as well. I don’t know. What I do know – and what a lot of the younger music lovers around today may not know – is that the name “Fillmore” was taken from a couple of legendary concert venues from the ’60s and early ’70s that were run by a man who was perhaps the greatest concert promoter who ever lived: Bill Graham.
Bill Graham was a German holocaust survivor who fled to France and later immigrated to the United States. He was an entrepreneur and philanthropist who more than anything, respected artistic expression; and believed in the power of music. To help promote the emerging music scenes in the ’60s he opened The Fillmore concert hall in San Francisco. It became the premier venue for bands to play in the United States. Without the Fillmore, the world would probably have never heard the music of Santana, Janis Joplin, Bos Scaggs, The Grateful Dead, Jefferson Airplane and many more performers who are hugely influential in pop and rock music today.
Bill Graham is also responsible for the one other thing I collect besides records and CDs – concert tour posters. He would commission local artists to create unique artwork for promotional posters advertising specific shows at his venues. Along with a 32 page historical book, This three record box set also includes a replica of the poster that was used to promote the final shows at the Fillmore.
Bill Graham was a man who believed there could be a balance between financial success and artistic expression. Unfortunately, following the Woodstock festival in 1969, the record companies realized that rock and roll was big business and the intimacy of moderately sized concert halls like the Fillmore gave way to the larger arena rock shows. Knowing the smaller venues couldn’t compete, Bill Graham threw in the towel and made the business decision to close the Fillmore in 1971. He continued to promote bands and concerts into the ’80s. In 1985, he and Bob Geldoff organized Live Aid, a series of concerts that were performed and broadcast around the world to raise millions of dollars for famine relief in Ethiopia.
“Fillmore: The Final Days” captures the music of the bittersweet days that marked the end of a philosophical and musical era. It is a memoir of an unforgettable era in music.
While most people today probably think Janis Joplin performed the song “Piece of my Heart” they’re wrong. It’s true, Janice did sing lead vocals, but the song was actually performed by a band Janis Joplin was in, Big Brother and the Holding Company.
Those who know the album and the band that recorded it still might have some misconceptions about it. The album comes across as being almost entirely live tracks. The cover even says “live material recorded at Bill Graham’s Fillmore Auditorium”. However, only one song off the album, “Ball and Chain”, was actually recorded live. The rest of the songs just had audience overdubs put in to make them sound live. The album even kicks off with an introduction by Bill Graham that by today’s standards would probably be considered politically incorrect: “Four gentleman and one great, great broad, ‘Big Brother and the Holding Company.'”
Like “Piece of My Heart” the rest of “Cheap Thrills” is filled with mostly blues laden rockers that are played as passionately as they are sung by Janis. There is a little psychedelic sound that also creeps in from time to time (this was 1968 after all) most notably on “Oh Sweet Mary”, although the closing “Ball and Chain” is a great combination of the two.
I was turned on to the this album by my mom when I was 6 years old. She loved Janis Joplin. My dad however, could not stand her. Some of my earliest memories of music are listening to Janis Joplin with my mom. She had great taste in music.
This marks the 200th post to my blog. I feel a need to make it about an exceptional album.
In 1967 color TV was a big deal. So were The Beatles. What better combination could there have been then, than to make a colour movie for the telly featuring their music and, of course starring the fab four themselves?
The hour-long programme had to be originally broadcast in black and white when the BBC first aired it on boxing day (the day after Christmas in the U.K.). However, it aired again in colour a couple of weeks later.
Although the album soundtrack to the film was well received, the movie itself – a story of a bus trip across England and the bizarre events that occur on it – was not. Probably because the film had a psychedelic feel to it that was not appreciated by elder viewer. Opinion of the movie changed as time passed and both are now considered classics.
The album came in a gatefold cover that included a 24 page full color book with scenes from the movie. Because of the original packaging, “Magical Mystery Tour” is an album that could never be presented effectively when released decades later on the smaller CD format.
One of the things I find interesting about the Magical Mystery Tour album packaging is that the album the cover uses the American spelling of color when referring to the book inside, but the book itself uses the British spelling of colour when referencing the movie.
When I’m surfing the Internet, I read a lot about bands I’ve heard of. The other day, I ran across an article titled “The Best Band You’ve Never Heard Of”. Now I have heard of a lot of obscure bands, so I was intrigued.
The band of topic was “Crack The Sky” and no, I had never heard of them. I was further intrigued. It turns out Rolling Stone magazine declared Crack The Sky’s 1975 eponymous album “the best debut album of the year”. I was even more intrigued. I also ran across a 2015 post where “Crack The Sky” was included as one of the 50 greatest prog albums of all time by the same publication. I was beyond intrigued. I had to listen to this intriguing band from Vermont that never really gained popularity outside of Baltimore, Maryland.
I found a copy of “Crack the Sky” for sale on Discogs and immediately bought it. And so here I sit listening to a band I’ve never heard of.
…And I am more than beyond intrigued. I am impressed…and amazed….
I am amazed that Crack the Sky never made it beyond their local popularity. They had it all: vocal arrangements falling in line with Crosby, Stills, Nash and Young, the musicianship of Yes, the pop appeal of Styx, the complexity of Focus, and the contrasting dark lyrics yet bright music of Steely Dan.
From what I am hearing on their debut album, Crack The Sky is a band that is…what’s the word? …
I am intrigued to hear more by them.
Four time Grammy nominee Steven Wilson is one of the most creatively talented recording artists around today. Yet so many people have not really heard of him. If you happen to fall into that category, the album “Transience” is a great place to start.
Consisting of three sides of music recorded between 2003 and 2015 (the fourth album side is etched with lyrics to one of the songs) “Transience” is a collection of songs taken mostly from Steven Wilson’s previous solo albums. Three of them are reworked exclusively for this album and differ noticeably from their original incarnations. There is also a new re-recording of the song “Lazerus” which was previously recorded by Wilson’s former band Porcupine Tree.
If you haven’t given any of Steven Wilson’s music a listen, you owe it to yourself to do so. He has received praise from critics, numerous other musical artsts, and most importantly, those who have bought his records. He writes and records some of the most adventerous music being produced today. Sometimes intricate and complex, it quite often falls outside of the mainstream, but in no way does that mean his music is extreme or excessive.
The songs on “Transience” are selections that fall more in line with modern contemporary music. This is music that departs from the commonplace and defies being a mere musical backdrop. This is an album that is enticing and unique. It demands to be listened to; not just once but over and over. Because, as with all of Steven Wilson’s albums, there always seems to be somthing new to hear.
This is not an official Pink Floyd album. Some would call it a live concert bootleg. Others would call it an Italian import.
Copyright laws are not the same in every country. Italy in particular, has some of the least restrictive when it comes to live performances. I’ve never looked up all the legal mumbo jumbo, but however their laws are written, there are a lot of unofficial live recordings that come out of Italy on obscure record labels.
Typically, Italian Imports are from a specific concert performance. “A Dark Side Of The Moon Live” is a recording of a Pink Floyd concert at the Wembly Empire Pool in London, England on November 16, 1974. Its a double album on which Floyd performs their incredible 1973 album “Dark Side Of The Moon” in it entirety as well as their epic song “Echoes” from 1972’s “Meddle” as an encore. It is an incredible performance one of the best I have heard actually. But It’s not without its flaws in both performance and recording.
You see, that’s the good and bad of Italian Imports. On the good side, you get a rare recording of a band performing live, with no studio overdubs or post production cleanup. If the band makes a mistake, or there’s tape malfunction, It’s going to be on the record. But you really get the feel of the performance. On “A Dark Side Of The Moon Live”, there is a part of the song “Breathe” that is chopped out with a horrible edit in the very beginning. Other than that, the recording is flawless. And the sound quality is excellent.
Oh yeah, that’s the other thing with Italian Imports. Because they are unofficial, the original source of the recording could be through the mixing board or some dude out in the audience with a microphone. Decades ago, it was hard to know what the quality of an Italian Import record was until you bought it. Today, with the Internet in your pocket, it’s easy to do a little on the spot research to get an idea.
Italian Imports are typically for the hardcore fans of a band. I am a huge Pink Floyd fan, and have a few Italian Imports by them. Some are on CD, and some, like “A Dark Side Of The Moon Live” are on vinyl.
If you look up the word “psychedelic” in any dictionary, it should define it as “The Crazy World Of Aurthur Brown”.
Yes, there are many bands that are associated with psychedelic music, but there is only one that defines it: “The Crazy World Of Aurthur Brown”
From the sometimes dark and always twisted lyrics, to the swirling and sometimes explosive music, to the outrageous pyrotechnics and stage antics and makeup that influenced so many bands for decades, including Alice Cooper, Yes, Genesis, George Clinton, Queen, and numerous others. “The Crazy World of Aurthur Brown” helped define psychelelic music and influenced countless bands inside and outside that genre.
It should also be noted that Aurthur Brown had one of the most truly amazing voices in music. His was a rare anomaly that could span four octaves – something he took full advantage of on the band’s self titled debut album.
“The Crazy World of Aurthur Brown” only had one actual hit song, “Fire”, which is on this album, so they are considered to be a “one hit wonder” band. But their true legacy is in the influence they had on so many other bands.
Sometimes strange is good. “Sound & Color”, the second album from Alabama Shakes, certainly is a strange. It is also excetionally good. Soulful psychedelic blues garage rock is the best way I can find to describe this album. It is one of those I have to be in the right mood to listen to. But when I’m feeling that way, almost nothing else will suffice.
Alabama Shakes formed in 2009 released sound and color in 2015. The album immediately topped the Billboard charts. It was nominated for 6 Grammys, winning four of them, including best alternative album.