I remember listening to an interview with Paul McCartney where the former Beatle was very persistent in saying that the band Wings was not an avenue for extending his solo career. He said that he wanted the band to be strictly referred to as Wings, not Paul McCartney and Wings. As if to drive that point home, “At the Speed of Sound” featured the other band members singing lead vocals on its songs more than its four predecessors. There was also more participation in the song writing from the other band members.
“At the Speed of Sound” spawned two singles “Let ’em In” and “Silly Love Songs”. Those singles helped place the album by Wings at the top of the US charts. It also hit number two on the British charts. Like its a predecessors, the album contain a solid mix of midtempo rock songs That focused on composition and song structure that incorporated a wide range of influences and styles. The album never totally jams out, but it’s not a mellow album either. It’s always a pleasure to listen to it.
It’s a shame there wasn’t ever a Volume Two.
Robert Plant had always had a desire to perform in a uccessful rhythm and blues band. So he dug up his old friends Jimmy Page, whom he had played with in Led Zeppelin, and Jeff Beck, who had played with Page in The Yardbirds. And thus in 1981, with the help of some session musicians, The Honeydrippers were formed.
Featuring Plant singing in his best crooning voice on “Sea of Love”, which hit number three on the Billboard charts, and the more upbeat “Good Rockin at Midnight”, another top 40 hit, the EP was a huge success for The Honeydrippers.
I’m sure I’m not the only one who wonders why there never was the “Volume Two”. Maybe they just felt it was better to leave everybody wanting more.
“What About Love” was one of the biggest hits by the band Heart. Along with the other songs on their self-titled album, it marked a significant shift in their sound that was only hinted at on their previous record. This album saw Ann and Nancy Wilson moving from hard rock bordering on progressive rock, to a more mainstream pop sound. A shift they needed to make in order to keep up with the changing music scene.
Music from the ’80s had a very distinct sound. Typically there was heavier use of reverb on the overall sound, most notably on the guitar and drums. In general, there was a heavier use of keyboards and most songs had more of a constant rhytm throughout. Also, every album needed to contain at least one or two slow ballads or love songs. Heart hit that formula perfectly on this album. It became their only album to hit number one on the billboard charts.
Normally, if a band releases a self-titled album it’s their debut. But Heart waited until their eighth. Although it was kind of a debut for them them. It was their first album for Columbia Records who signed them after their contract ran out with Epic. Maybe that’s why they chose to make it eponymous.
After the breakup of The Beatles, each member of the Fab Four pursued a solo path. Not surprisingly, the often outspoken John Lennon went on to have a very successful post-Beatle musical career. He and his wife, Yoko Ono, also became a much stronger voice in the advocasy for passifiism and anti-war politics.
He took a hiatus from his musical career after his son, Sean was born, deciding to focus more on being a dad rather than a musician. However, after a near tragedy at sea while on a sailing trip, he decided to go back into the studio, only this time it would be together with his wife, Yoko Ono.
The album they made together wasn’t so much a duet, as it was a collection of songs written and performed by each of them. All of the songs focused on relationships, more specifically, the ups and downs between John and Yoko. Resembling conversations between the two, the sequence of the songs alternated between one song by John Lennon followed by a song by Yoko Ono. It’s easy to tell, this was a very personal album for both of them.
Although he lived to see the release of his final album Lennon never lived to see the success it achieved. John Lennon was tragically shot outside his New York apartment by Mark David Chapman, on December 8th 1980 and died shortly after. It was one of the saddest days in music history.