Emerson, Lake, and Palmer – Brain Salad Surgery

Most people who know classic rock know of Emerson Lake and Palmer. Most people who know of Emerson Lake and Palmer, know the song “Karn Evil 9”, if not by name at least by its opening line “Welcome back my friends, to the show that never ends”. It is after all, their most often played song on the radio. But that song you hear on the radio is actually only a five minute excerpt from an epic song that is over thirty minutes long. It is the central piece of music on their fourth album “Brain Salad Surgery”.

ELP’ s music was always heavily influenced by Euoropean classical music. So it should come as no big surprise that the entire song “Karn Evil 9” is structured much like a classical composition, performed in 3 movements. The 1st movement is split into two sections. Part one takes up the second half of the first side of the “Brain Salad Surgery” and part two starts off side 2 of the album. The 2nd and 3rd movements of “Karn Evil 9” close out side 2. The part of the song that is most often played on the radio is actually “Karn Evil 9, 1st movement, part 2”.

The album “Brain Salad Surgery” is a masterpiece of creativity. The album starts out with a modern take of “Jerusalem”, a hymn commonly heavily ingrained in British culture and with the Church of England. It’s followed by an adaptation of “Toccata”, a rock adaptation of a piano concerto written by 20th century classical composer Alberto Ginastera, Carl Palmer adds a percussion movement to. It starts out on tympani drums and wraps up with a wild solo played on a synthesized drum set. “Benny the Bouncer” is a just for fun song featuring a Keith Emerson playing honky-tonk piano and Carl Palmer’s super-fast jazz style drumming using brushes instead of sticks – something almost unheard of by rock bands. “Still, You Turn Me On” is slow and beautiful piece and the final song before “Karn Evil 9” takes over the rest of the record.

If you think this all sound a bit self-indulgent and pretentious, well…It is. All three members of ELP were exceptional musicians and they aimed to flaunt it on their early albums. They were the epitome of self-indulgent, pretentios rock. I mean that in the best way possible.

Emerson Lake, and Palmer practically defined what becamee known as “progressive rock”. Keith Emerson was a classically trained pianist. He worked closely with Roger Moog, who creator of the Moog synthesizer. Emerson became a pioneer of the synthesizer, demonstrating its versatility and making a significant instrument in rock music. Carl Palmer, was far more than just a drummer. He is considered to be one of the best percussionist ever and could augment any style music. Greg Lake was a solid bassist who had one of the most distinct, immediately recognizable voices in modern music. Only musicians of their caliber could have pulled off album like this.

Queen

One of the joys I’ve always had with record collecting, is going back and discovering earlier albums by bands I like. After first hearing Queen’s “Bohemian Rhapsody”, all over the radio, I was enthralled by their originality. After buying the album “A Night at the Opera”, and hearing “Sheer Heart Attack”, which a friend of mine discovered in his uncle’s record collection, I felt compelled to check out other music by this truly original band. Queen only had four albums out at this time and I had already heard two of them, so I figured I pick up their eponymous debut.

From the opening song , “Keep Yourself Alive” with is heavily phased guitar panning from the left to right speaker, I knew this was going to be a unique record that, just like their later records, would take full advantage of stereo sound. The production was a bit rougher than their later albums that I had heard, but it had a huge amount of variety and experimentation – a very ambitious album, especially for a band coming right out of the gate. The lyrics covered a wide range of topics from the mystic and medieval to religion; from personal introspection to songs that were about just having a good time.

When it comes to bands I like, I’ve always appreciated originality and innovation over virtuosity and technical ability, but I still highly regarded the latter. Queens first album had an abundance of both. It will always be one of my favorite albums of all time.

Muse – The 2nd Law

When I think of the band Muse, I think of innovation and originality. Every album by them is very different from its predecessor, yet it always sounds unmistakably like Muse.

“The 2nd Law” is perhaps Muse’s most ambitious and innovative album today – although that’s a hard call to make – all of their albums are pretty ambitious and innovative. From the James Bond feel of the opening song “Supremacy”, to the use of a full symphony orchestra and vocal chorus on “Survival”, to the heavy funk beat in “Panic Station”, to the dubstep and over-driven guitar insanity on “The 2nd Law (Unsustainable)”, to the obvious nods to Queen injected throughout it all, Muse seems determined to go in as many different directions as they possibly can on one album. For almost any other band, this would come across as a chaotic mess, Muse is one of those rare bands that can pull it all together with a unique cohesiveness.

Muse named this, their sixth studio album, after the second law of thermodynamics which the band uses as an analogy to make social-political and social-environmental statements with on the album’s two closing tracks, “The 2nd Law (Unsustainable)” and “The 2nd Law (Isolated System).”

This album is part of a limited edition box set that also includes the album on CD, a behind the scenes “making of…” DVD and some other goodies related to the album.