Glam metal and hair bands were at the top of their popularity in the mid 1980s. Combining arena anthems and power ballads with a heavy dose of overdriven guitar distortion and testosterone, “Slippery When Wet” was an immediate success for Bon Jovi and went on to become the biggest selling album of 1987.
Bon Jovi was more than just another glam metal hair band though, as they proved with “Wanted Dead or Alive”. They appealed to a broader audience including a mid-twenties disillusioned alt-rocker who had gravitated away from most 80’s metal (although I have grown to appreciate many of the bands I blew off back then once my son started getting into them decades later). Back then this was the album I would just crank up and lose myself in; forget about all the sh!t in my life back then (the mid ’80 were a rough point in my life).
From the time I first heard “Slippery when Wet” I knew it was an album that would never say goodbye to my music collection. I did replace it on CD at one point, but after a recent visit to a local used record store it recently rejoined itself in the ranks of my vinyl collection because sometimes I felt it needed a little more to let it rock.
In the eighties metal was king in rock and roll. I have to admit, I really wasn’t into metal for the most part. However “Pyromania” by Def Leppard was an exception. But then, “Pyromania” wasn’t as true to metal as the band’s two previous albums. At the recommendation of producer Robert “Mutt” Lange, for their third album Def Leppard chose to adopt a more glam rock/hard rock sound.
It was a good choice, and obviously I was not the only one who thought so. “Pyromania” peaked one step away from topping the Billboard charts and sold over 10 million copies. Although they had a strong following before “Pyromania”, the album is considered to be Def Leppard’s breakthrough into mainstream success.
Because of the success they had in 1983 with “Pyromania”, Def Leppard chose to work again with Mutt for their follow-up album, 1987’s “Hysteria”.
Four years is a big gap to put between your breakthrough album and its follow-up, but there was a good reason for the delay. Following the release of “Pyromania”, Def Leppard’s drummer, Rick Allen, lost his arm in an auto accident. Rather than looking for another drummer, the band members put their next record on hold in order for their friend to learn to play a special drum set adapted with multiple foot pedals and could continue with them on the skins.
I saw Def Leppard in concert for their “Hysteria” tour and I have to say Rick Allan played one of the best drum solos I have ever seen and heard.
“Aladdin Sane” was David Bowie’ s sixth album, following in the footsteps, yet still breaking away from it predecessor, “Ziggy Stardust”.
Bowie was far from being an unknown artist when “Ziggy Stardust” came out, but it definitely raised him to the next level of success – and raised the bar of what record buyers expected of him. David Bowie, much like the Ziggy persona he created, had become a superstar.
Rather than trying to duplicate his prior album, Bowie set out to make something fresh. A new persona, Aladdin Sane was created. And there was a significant musical shift toward avant-garde jazz on many of the songs.
When it came out, “Aladdin Sane” received praise from both critics and fans. Today, it is considered to be one of David Bowie’s best records.
If you want to discover a great album by an artist you really like…I’m talking about an album that you hardly ever hear any of the songs from it on the radio, except maybe one, but it will forever be one of your favorites by that artist….then I have a formula for you: Find their breakthrough album, and buy the album that came out just before it. I’ve used this formula many times, and have almost never been disappointed. “Hunky Dory” by David Bowie is one of the best examples of this that I can think of.
Yes, David Bowie had some hits before this album. Space Oddity, off his debut, was probably his biggest to this point. But none of is albums ever attained the success and musical respect of Ziggy Stardust and his albums that immediately followed it. That was the first album by Bowie where I really went “WOW!” His preceding fourth album, “Hunky Dory”, was the second one.
The thing that made “Hunky Dory” so great was it found David Bowie in the first of many of his musically transitional phases. Bowie’s early albums were straightforward rock with a little folk rock thrown in at times. Ziggy Stardust, Aladdin Sane, and Diamond Dogs almost defined glam rock. Sandwiched right in between is “Hunky Dory”. It was the best of both worlds.
I often wonder if David Bowie was hinting at the fact that this was a transitional album for him – a sort of bridge between two defining styles. He did after all, open up the album with the song “Changes”. And there were many changes to come in David Bowie’s illustrious career. His timing with the changes he would make with his music to follow, made him seem like a musical chameleon. Though not one that adapted to things as they were, but to things that were to come, right around the corner. Hunky dory was the album that defined David Bowie as an artist who was always just one step ahead of the times.
T. Rex combined folk rock, psychedelic rock, and glam rock to produce a totally unique sound. The Slider was released in 1972 to and received both critical and popular praise.
The front and back cover photographs were taken by Ringo Starr while he was filming a documentary about the band.