If you have only one Queen album in your record collection, it should be “A Night at the Opera”, and not just because it has “Bohemian Rhapsody” on it. The album as a whole is probably the most diversified and eclectic collection of songs Queen ever recorded on one piece of vinyl.
And that’s saying something.
The songs on “A Night at the Opera” range from whimsical ditties like “Seaside Rendezvous” and “Lazing on a Sunday Afternoon”, and all-out rockers like “I’m In Love with My Car” and “Sweet Lady” to folksy strummers like “’39”, and the classically infused “Love of My Life”. All these songs are complemented by a unique array of instruments including toy koto, Aloha ukulele, and classical harp – all played by Brian May.
And then of course there’s “Bohemian Rhapsody”
One of my favorite things about “A Night at the Opera” is how Queen takes full advantage of stereo sound. I can’t think of another band before or since who so effectively use the two channels of stereo to add another dimension to their music. Although evident on all of the songs on the album, it is most predominant on “The Prophet’s Song”, which features Freddie Mercury using only his voice and a perfectly timed double echo to create a mosaic of vocals that bounces from the left to the right and forms a three-part harmony with itself. I am mesmerized every time I listen to it.