On July 7, 1977, Pink Floyd performed live at Madison Square Garden and somehow, someone in the audience was able to sneak in a good quality tape recorder to capture part of the show as it happened.
Maybe they had connections to someone at a record cutting facility. Maybe they gave a copy of the recording to a friend who gave a copy to a friend who gave a copy to a friend who had connections to someone at a record cutting facility. The exact details will never be known.
The bottom line is that an unofficial (bootleg) recording of the concert was unofficially released on Pass to Dust, an Italian record label (unofficial releases are almost always released on Italian record labels). The recording is an amazing document of what an unbelievable live act Pink Floyd was at the time. “Live in NYC 1977″ captures Floyd performing their ninth studio album, Wish You Were Here” live, in its entirety as the second half of their show that evening. Typical for Floyd, the first half of the night would have been their most recent album, “Animals” in its entirety, and the evening would have closed focusing on songs from Floyd’s masterpiece “The Dark Side Of the Moon”.
Is this a live recording to the standard of what an official Pink Floyd release would be? Hell no! This is from some dude who snuck a tape recorder into a Pink Floyd concert. But what it lacks in sound quality, it more than makes up for in content. Pink Floyd’s performance here is relentless and near flawless.
I wish I had an official recording of this performance but I honestly don’t know if one will ever exist, so I’ll take what I can get.
This is not an official Pink Floyd album. Some would call it a live concert bootleg. Others would call it an Italian import.
Copyright laws are not the same in every country. Italy in particular, has some of the least restrictive when it comes to live performances. I’ve never looked up all the legal mumbo-jumbo, but however their laws are written, there are a lot of unofficial live recordings that come out of Italy on obscure record labels.
Typically, Italian Imports are from a specific concert performance. “A Dark Side Of The Moon Live” is a recording of a Pink Floyd concert at the Wembley Empire Pool in London, England on November 16, 1974. It’s a double album on which Floyd performs their incredible 1973 album “Dark Side Of The Moon” in it entirety as well as their epic song “Echoes” from 1972’s “Meddle” as an encore. It is an incredible performance one of the best I have heard actually. But It’s not without its flaws in both performance and recording.
You see, that’s the good and bad of Italian Imports. On the good side, you get a rare recording of a band performing live, with no studio overdubs or post production cleanup. If the band makes a mistake, or there’s tape malfunction, It’s going to be on the record. But you really get the feel of the performance. On “A Dark Side Of The Moon Live”, there is a part of the song “Breathe” that is chopped out with a horrible edit in the very beginning. Other than that, the recording is flawless. And the sound quality is excellent.
Oh yeah, that’s the other thing with Italian Imports. Because they are unofficial, the original source of the recording could be through the mixing board or some dude out in the audience with a microphone. Decades ago, it was hard to know what the quality of an Italian Import record was until you bought it. Today, with the Internet in your pocket, it’s easy to do a little on the spot research to get an idea.
Italian Imports are typically for the hardcore fans of a band. I am a huge Pink Floyd fan, and have a few Italian Imports by them. Some are on CD, and some, like “A Dark Side Of The Moon Live” are on vinyl.