Oh won’t you please welcome all, RUSH! And so begins one of my all-time favorite live albums.
I’m not going to say it’s the best live album ever, because that’s subjective. And, quite honestly this is a live album that’s not for the faint of heart. Geddy Lee’s vocals, especially in Rush’s early music, could be an acquired taste. His voice was perhaps my only reservation when I first heard “All the World’s a Stage”, which was my introduction to Rush. But after a while I began to really like it.
It was in the locker room after gym class in 8th or 9th grade when one of my classmates noticed that I had an Emerson, Lake, and Palmer tape with me. He asked if I like Carl Palmer’s drumming. Well, of course I did. He said he had something he wanted me to listen to. At the next gym class, he brought me in a copy of “All the World’s a Stage”. Without a doubt, Neil Peart’s drum solo on “Working Man / Finding My Way” is, and forever will be, the biggest highlight on this album for me. And for good reason – there are few who will argue against it being the best rock drum solo ever recorded. … EVER!
But a drum solo does not a record make. Nay, it was the rest of the musicianship and the arrangements on that make this recording iconic. Peart’s drum solo was just the icing on the cake.
Rush was one of the few bands that can claim to have introduced a whole new genre of music – at least until you get into the 90s in the new millennia. Progressive metal did not exist before Rush. Maybe it would have been introduced by some other band, had Rush not taken the bull by the horns. But no other band did. At least not in this universe. I am forever grateful to my friend in junior high school who introduced me to Rush; a band that has become one of my favorite bands of all time. A band that opened my ears to realms of new musical possibilities.