Golden Earring Live

It took Dutch rockers Golden Earring 12 years together and 12 studio albums before they released their first live album, but it was worth the wait.

I have to admit that when I first heard “Golden Earring Live”, I knew only one song on it; Golden Earring’s biggest hit, the driving “Radar Love”. But a live album doesn’t necessarily need to have a slew of hits in order to be great. It needs great playing. It needs great energy that captures the connection between band and audience. It needs great songs, but not necessarily hits. “Golden Earring Live” has all of the above. It doesn’t need anything more.

Buuut…

It’s also got a great 12 minute live version of their biggest hit, “Radar Love”.

Yeah, it’s a great live album.

Simple Minds – Once Upon A Time

It took the Scottish band Simple Minds seven albums to finally achieve the success they deserved in the United States. The rest of the world just shook their heads and asked “what took you so long?”

Sure, there was the 1985 John Hughes film “The Breakfast Club” that first made a name for Simple Minds in the US with the single “Don’t You Forget About Me”. But that song just whet the US appetite. “Once Upon A Time” fed the craving for more. Sure, the album didn’t have “Don’t You Forget About Me” on it like I think most people expected when they bought it; that didn’t matter – it had “Alive and Kicking” which was even better. Plus, the other seven songs make up what is one of the most solid albums of the 1980s. The rest of the world had long known Simple Minds. Finally, the U.S. did too.

I have two copies of “Once Upon A Time” on vinyl. I bought the second copy because there were two different versions of this album cover. The cool thing about the two covers is they can be matched up to each other on every side. You literally could wallpaper an entire room with both copies of the album cover. While I do like Simple Minds a lot, I have to say that I’m not quite that big of a fan.

There are other noticeable differences between the two copies of the album in my collection. One copy is a Canadian record which means it is on the Virgin record label, like everywhere else in the world – except the United States. It was released on A&M Records here. While the Virgin label the rest of the world got on the record is very generic, the A&M verion in the U.S. was custom designed to match the gold splash behind the band’s name on the cover. That wasn’t the only difference. The US version is on colored vinyl (at least the first issue of it anyway) although it’s not immediately noticeable. I had my copy for years before I realized that if you hold it to a bright light, the light will actually shine through revealing the album’s true golden-brown translucent color.

Vinyl can be full of surprises.

Blue Öyster Cult – Tyranny And Mutation

One of the cool things about some early albums by bands that later hit it big is listening to them trying to find their sound. While there are elements of “Don’t Fear The Reaper”, “Godzilla”, and “Burning For You”, Blue Oyster Cult’s second album “Tyranny and Mutation” goes in directions that at times barely sound like the same band as their later big hits.

Blue Öyster Cult eventually became best known for their hard rock, pop tinged, progressive rock sound. But on their first couple albums, the songs were edgier and more aggressive. “Tyranny and Mutation” opens with the speed metal shredding on “The Red and the Black” and it never lets up from there.
This is BÖC sounding rougher around the edges, even occassionally infringing on punk and garage rock territory. Combined this with progressive rock and psychedelia and you end up with one of Blue Öyster Cult’s best records, yet one that is often overlooked in their catalog.

Jefferson Airplane – Thirty Seconds Over Winterland

This is a tale of technology, the law, and flying toasters….

What are the odds of two groups of people, totally unrelated, in totally different decades, thinking of exactly the same concept as obscure as flying toasters? Well, it happened; Not only to one of my favorite bands, but to one of my favorite comic strips as well.

I think the Jefferson Airplane are one of the greatest psychedelic rock groups ever. I also think Bloom County, is one of the most brilliant comic strip series ever. Little did I know they would both cross paths in 1993.

The Jefferson Airplane released “Thirty Seconds Over Winterland” in 1973. Recorded at the Winterland Theatre in San Francisco and the Auditorium Theatre in Chicago the album is a truly underrated recording of live psychedelic rock. The album cover – one of my all-time favorites – shows a group of winged toasters flying high above the clouds. What this had to do with the music on the record is anyone’s guess. Regardless, it’s a very cool album cover.

Jump forward two decades to 1993. Berkeley Breathed, the creator of Bloom County, Outland, and Opus, decided to create a software company, Berkley Systems, that eventually made the After Dark computer screen saver that featured … wait for it … winged flying toasters. It became one of the most popular screen savers ever. Riding on its popularity, Berkley Systems decided to come out with another computer screen saver that featured Opus, a penguin who was the primary character in Bloom County and its two spin-off comic strips, shooting down the flying toasters.

The members of Jefferson Airplane felt they had dibs on the winged flying toaster concept and sued Berkley Systems for plagiarism. Jefferson Airplane eventually lost the financial part of the lawsuit because Berkley Systems claimed to have no prior knowledge of the flying toasters on the cover of “Thirty Seconds Over Winterland”. Still, according to the terms in the settlement, the Opus screen saver had to be modified so that the toasters had helicopter blades instead of wings. Still flying toasters, but I don’t know, somehow not as cool.

The Jimi Hendrix Experience – Electric Ladyland

I have a bit of extra time this morning before work, so I figured I’d put on a double album. Not just any double album, but one of the heavy hitters of rock and roll; a double album that anyone who loves rock and roll needs to listen to before they die.

With its combination of rock, blues, jazz, funk, and psychedelia, “Electric Ladyland” had numerous hit songs for The Jimi Hendricks Experience including their most successful song, “All Along the Watchtower”, a cover version of a Bob Dylan song. Bob Dylan also had a hit earlier with his folk oriented version of the song.

Jimi Hendrix was very much known for being a perfectionist in the studio. With the recording of “Electric Ladyland” Chaz Chandler became so frustrated with the multiple takes Hendrix was demanding (drummer Mitch Mitchell reportedly recorded at least 50 takes for one of the songs) the producer of The Experience’s previous records quit near the beginning of the “Electric Ladyland” sessions, prompting Hendrix produce the album himself. Hendrix’s perfectionism obviously paid off, as this third and final album by The Jimi Hendrix Experience was their most successful record.

Because of the cost and hassle of booking studio time for all the takes Hendrix demanded during the recording of Electric Ladyland, Hendrix decided to build his own recording studio of the same name afterwards. Unfortunately, Hendrix would record only one song at the Electric Ladyland studio – the short but sweet instrumental “Slow Blues” – before his untimely death in 1970. The song remained unreleased until its inclusion in a retrospective Jimi Hendrix Experience box set that was released in 2000.

Sonny & Cher – Greatest Hits

I guess I can hold a grudge sometimes. I don’t think I ever forgave Sonny and Cher for getting divorced and never bought a single solo record by Cher, even though I did like many of her songs.

I remember when I first heard that Sonny and Cher were divorcing in 1974. It was somewhat devastating to me. I had grown up with their songs from the time I was very small and regularly watched their TV variety in the early to mid ’70s. I remember that although they made fun of each other on the show, they seemed so in love – Just like my parents did. How could they have been that much in love and just let it fall apart. What if that happened to my parents?

Yeah, I took Sonny and Cher’s breakup kind of personal (and not because Sonny was born in Detroit) and for whatever reasons, I blamed it on Cher. I didn’t want to like the music from Cher’s solo career, even though I did. I think I subconsciously boycotted her records. I always hoped Sonny would have a successful solo career, but that never happened. True, Cher had the better voice, but Sonny had more talent, writing and arranging many of the duo’s hits (even at a young age, I paid attention to those things). He even continued to write hit songs for Cher’s solo career after their divorce.

Eventually, Sony Bono went into politics, becoming a California congressman until he died in a ski accident in the ’80s. At his funeral, Cher did a very emotional eulogy for him and later, made statements that showed she still had a deep devotional love for him, despite both of them remarrying. I guess I finally forgave her after that.

Queen – Sheer Heart Attack

I went to the movies the other day and one of the previews was for the upcoming movie “Bohemian Rhapsody” which is the story of one of the most creative bands to ever grace the face of vinyl: Queen.
I’ve had their music stuck in my head ever since.

When I first heard the song “Bohemian Rhapsody”, I thought it was the first song I had heard by Queen. A short time later, while rummaging through some records that belonged to my best friend’s uncle, I discovered it was not – “Killer Queen” off of Queen’s previous album “Sheer Heart Attack” was my first introduction to Queen.

“Sheer Heart Attack” is, in my opinion, one of the 100 albums everyone should hear before they die. I don’t know if it made Rolling Stone magazine’s similar list, but I’m not going to research it; it’s on mine and that’s all that matters (to me anyway).

“Sheer Heart Attack” was the first Queen album I had heard in its entirety and it absolutely blew me away – multiple times. From the echo effect Brian May uses in stereo to play guitar parts along side and along with himself to “Now I’m Here” which uses the same effect to make Freddie Mercury’s incredible voice bounce from here on the left side of the room to there on the right, to the metal edged “Stone Cold Crazy” to the campy “Bring Back that Leroy Brown” to the weird and wonderful “In the Lap of the Gods” to the familiar “Killer Queen”, on “Sheer Heart Attack” it seemed Queen was pulling out all the stops and not afraid to try anything. Little did I know that on their follow-up album “A Night at the Opera” Queen would prove they still had many more stops to pull out.

I am looking forward to the “Bohemian Rhapsody” movie as much as I have any Queen album. It has been a long time in the making and has seen numerous delays along the way. Still, even if it were to never see the light of day (which it looked like for a while) there’s always the music of Queen, and really, when you get right down to it, thats all that really matters.

Styx – Cornerstone

Although Cornerstone, the ninth studio album by Styx, still held on somewhat to the band’s progressive rock beginnings, the shift to more pop oriented songs was obvious.  The musical landscape was in the US was changing as the 1970s merged into a new decade and Styx’s music was changing with it.  Styx seemed to almost declare the change with Borrowed Time,  which kicks off side two with Dennis DeYoung declaring “Don’t look  now, but here come the ’80s”.

Cornerstone gave Styx their first and only number one hit with Babe.  Shortly after the power-pop balkad came out, it seemed you couldn’t turn the radio for an hour without hearing it.  I have to say, I started to grow sick of the song after a while.  Listening to it now, I can again appreciate the beauty and tenderness of the song, which Dennis DeYoung wrote for his wife.

“Boat on the River” has always been one of my favorite tracks on Cornerstone.  Although it was an overlooked song in the United States, it remains Styx’s biggest hit in Europe.

The Best Of The Guess Who

Most Americans will admit without hesitation that our neighbors to the north (or to the south if you live in Detroit) know how to rock. Granted, you recently gave us Justin Bieber, but you also gave us bands like The Guess Who, so we’ll let you slide on your more recent export.

The Guess who were popular in Canada long before America eventually discovered them. Once they broke onto the American music scene in the late 1960s, they seemed to be an unstoppable musical force, due in part to Randy Bachman’s guitar and Burton Cummings unmistakable vocals. Within a few short years, they had amassed enough popularity to easily fill a compilation album of hit songs along with a couple early fan favorites which they released in 1971.

Randy Bachman would eventually leave The Guess Who at the height of their popularity due to creative differences. He would go on to form Bachman-Turner Overdrive, another Canadian band who gained huge success in Canada and the United States.

U.S. Military P.S.A. Radio Programs

Memorial Day is a day the United States recognizes the members of its military who gave the ultimate sacrifice to defend the freedoms many of us take for granted. I hear a lot of grumbling about the injustices many feel there are in the U.S. I do a fair bit of that grumbling myself from time to time. But consider this: What if you lived in a country where that grumbling against your country could get you thrown in jail or even executed for treason? Despite the injustices that still exist in this country, we are allowed the right to protest against those injustices and set in motion the wheels of change. This is one of the greatest freedoms Americans have; one that many civilians in the United States take for granted. It is a freedom that many have died to defend and preserve.

In honor of those brave men and women, some whom I have had the honor to serve with back in the 1980s, I am today listening to some old US Army and Marines public service radio programs that were meant to help recruiting efforts in the 1970s, after the military stopped the involuntary draft. Basically, these were musical radio programs that ran for a half hour block, during which the disc jockey on the record would interject military recruiting public service announcements in between the songs. Most of the time, programs like these were disposed of by the radio station shortly after being broadcast … but not always.

I recently picked up this small collection of programs from former Detroit broadcaster who was retiring and moving down south. The songs are a collection of rock and pop songs, mostly from the 60s and 70s that bring me back to the days of my youth and teens. and the DJ’s announcements in between the songs couldn’t be more relevant than they are today, Memorial Day.