One of the best concerts I have ever been to was by the J. Geils Band. Back in the day before sound curfews. Back in the day when a band could play as long as they wanted. Well, almost.
The J. Geils Band was one of those bands that was destined to play live. They made some good records, but where they really shined was on stage. So it’s no surprise that their first really successful album, Full House, was recorded live. This album caught them in all their glory and proved they were one of the most energetic and dynamic bands to see on stage in the ’70s.
Healing from Boston, the Geils always considered Detroit to be a home away from home – and Detroit audiences loved them. So it came as no surprise to me the first time I saw them live, that they were called back on stage for more than one encore. The thing was, even after the encores, the crowd wasn’t leaving the venue. So Geils just kept coming back on stage. I might have lost count, but I know they did at least seven encores that night. The band and the audience finally took the hint that the employees at Pine Knob, a concert venue in Clarkston Michigan, wanted to go home for the evening, when they came on stage and the power was suddenly cut to their instruments after they finished a song. I don’t know if it is true, but I heard rumor that after leaving the concert venue that night they showed up at a local bar in Pontiac Michigan and played untill it closed. I don’t know if that part really happened, but it wouldn’t surprise me.
I’ve met a lot of people who thought the lead singer was the namesake of the J. Geils Band. In reality they were fronted buy an ex-disc jockey from Boston named Peter Wolf. Before recording their very first album, they originally called themselves the J. Geils Blues Band after their lead guitarist, and they only performed instrumentally. They dropped the “Blues” from their name after adding Peter Wolf, their very dynamic lead singer. They signed a record deal shortly thereafter and the rest, as they say, is history.